Toronto City Opera opened a run of three performances of Verdi’s La Traviata at the Al Green Theatre last night. It’s a bit of a mixed bag. Certainly less even than their Le nozze di Figaro earlier in the season. Director Alaina Viau sets the piece in contemporary Toronto which creates both possibilities and problems. I’ll come back to that because I want to talk about the performances first.
Toronto City Opera has been around for a while but its previous performance location at the Bickford Centre was quite sufficient to keep me away. The Miles Nadal JCC is quite another matter. The basic idea of TCO is that the chorus is open to, essentially, anybody and that their subscriptions, plus fund raising, allow the company to do a couple of staged shows each year with young professional soloists, director, conductor and pianist. So, in theory it’s a chorus centric endeavour so the choice of Le Nozze di Figaro seems a bit odd since it has less than ten minutes of chorus and that is usually covered by a small group of eight or so ladies. That said, Nozze is their first of two productions this season and I saw the last show in the run this afternoon.
The Fatal Gaze is, in a way, a follow up to last year’s UoT Opera show Last Days in that it consists of a staged performance of pieces of vocal music to a theme. This time the theme is the dangers of seeing or being seen and there’s quite a lot to unpack. The music all lies on an arc from Monteverdi to Gluck and the stories are all taken from classical mythology or thee Bible with some commentary from more modern figures.