Russell Braun and Carolyn Maule at Mazzoleni Hall

8b440c574ff48428011373a5639b_GalleryYesterday’s Mazzoleni Songmasters concert featured Russell Braun and Caolyn Maule in a generous and varied program anchored on Schumann’s Dichterliebe; a setting of sixteen poems by Heine.  It was framed by three Mendelssohn songs and a varied and intriguing second half program.

Russell is a singer at the height of his powers.  He has a lovely instrument and perfect control of pitch, dynamics and tone colour.  He’s also a sensitive and musical human being.  Throw all that at text and music as rich as Dichterliebe and the result is inevitably quite wonderful.  One could just luxuriate in an emotional journey through the highs and lows of romantic love and a physical one up and down that magical river, the Rhine. The Mendelssohn was rather lovely too.

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Across the Channel

Having been tipped off that yesterday’s RBA noon concert was to be a vocal recital rather than, as previously billed, a chamber concert I made the trip through the snow to catch it.  Three of the Royal Conservatory’s Rebanks fellows were singing with Helen Becqué at the piano and assorted staff and alumni added for the final number.  Attendance was a bit sparse perhaps unsurprisingly given the weather and the evident confusion.  That was a shame because it was an interesting, varied and well presented concert combining well known works with some much less well known fare.

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Lineage

lineageLineage, performed last night at the Heliconian Club, is the latest show from Adanya Dunn, Brad Cherwin and Alice Hwang who brought us Evolving Symmetry in September.  Lineage featured German music from Schubert to Rihm so much more in my sweet spot than the French theme of the earlier show.  It was intriguingly constructed with three sets each of a pieces from Mendelssohn’s Lieder Ohne Worte and a Rihm song setting.  In between we got first Berg and then Webern, Schoenberg and Schubert.  It sounds bizarrely eclectic but the contrast between quite experimental pieces and more obviously accessible fare was very satisfying.  Also the sense that there is both a thematic unity and a tendency to experiment in a lot of German music regardless of period.

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