A Fine Balance

Rohinton Mistry’s novel A Fine Balance is a complex, six hundred page long saga about events during the 1975-77 State of Emergency in India. Turning it into a coherent, stageable play is a considerable feat and Anosh Irani has managed that; even if the result is a long evening at the theatre. It’s actually pretty clever. Besides the ruthless elimination of minor characters and sub-plots he handles the principal characters’ back stories by dropping in bits of information all through the narrative that allow the audience to fill in details that are otherwise not made explicit. It’s efficient and effective.

So the story is condensed down to Dina (Zorana Sadiq), a widow, trying to get by by starting a garment sub-contracting business. She hires two tailors; Ishvar (Anand Rajaram) and his nephew Om (Ben Yoganathan), and they together with her PG, Maneck (Siddharth Sharma); the student son of an old friend, carry the plot supported by Husein Mdhavji and Sugoth Varughese playing multiple roles. It’s only as the play proceeds that we learn that Dina is Parsi and the tailors are Scheduled Caste/Dalit. Which is pretty important. There are all sorts of nuances of caste and creed at play here.

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Walt vs. the lemmings

A Public Reading of an Unproduced Screenplay About the Death of Walt Disney by Lucas Hnath opened last night at the Young Centre in a production by Outside the March and Soulpepper.  It’s one of those pieces that is perhaps easier to admire than enjoy.  Technically, everything about it is excellent but sitting through ninety minutes of egotistical bullying is not a whole lot of fun.

Death of Walt Disney 2. Katherine Cullen, Diego Matamoros, Tony Ofori and Anand Rajaram. Lighting by Nick Blais. Set by Anahita Dehbonehie. Costumes by Niloufar Ziaee. Photo credit Dahlia Katz

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Uncle Vanya

Chekhov’s Uncle Vanya is the sort of play that makes one wonder why the Russian Revolution didn’t happen much sooner.  If the land owning class were living such miserable lives it must have been absolute hell for the peasants.  Maybe they just couldn’t afford a guillotine?  Anyway it’s playing at Crow’s Theatre right now in a production directed by Chris Abraham which runs until October 2nd.

1.vanyayelena

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