A Fine Balance

Rohinton Mistry’s novel A Fine Balance is a complex, six hundred page long saga about events during the 1975-77 State of Emergency in India. Turning it into a coherent, stageable play is a considerable feat and Anosh Irani has managed that; even if the result is a long evening at the theatre. It’s actually pretty clever. Besides the ruthless elimination of minor characters and sub-plots he handles the principal characters’ back stories by dropping in bits of information all through the narrative that allow the audience to fill in details that are otherwise not made explicit. It’s efficient and effective.

So the story is condensed down to Dina (Zorana Sadiq), a widow, trying to get by by starting a garment sub-contracting business. She hires two tailors; Ishvar (Anand Rajaram) and his nephew Om (Ben Yoganathan), and they together with her PG, Maneck (Siddharth Sharma); the student son of an old friend, carry the plot supported by Husein Mdhavji and Sugoth Varughese playing multiple roles. It’s only as the play proceeds that we learn that Dina is Parsi and the tailors are Scheduled Caste/Dalit. Which is pretty important. There are all sorts of nuances of caste and creed at play here.

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The Wrong Bashir

The Wrong Bashir by Zahida Rahemtulla is currently playing at Crow’s Theatre in a production directed by Paolo Santalucia.  The story is set in the Isma’ili community in Toronto and all the families concerned were among those kicked out of Uganda by Idi Amin.  Quite a lot of the story concerns Isma’ili religious institutions and practices about which I am woefully ignorant.  Not knowing doesn’t detract from the experience of seeing the play and I have used circumlocutions below rather than try and figure out the technical terms used in the play

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