Catalan collective Els Comediants’ production of Rossini’s The Barber of Seville is back at the COC in a revival of the 2015 production. Five years ago I described it as a “glorious romp” and, based on yesterday’s performance, I see non need to amend that judgement. It may be even better this time. It still has Joan Guillén’s wonderfully colourful and silly costumes and sets and it still has Joan Font’s inspired directing; perhaps even crisper this time. Once again it has a wonderful cast of international and Canadian singers including a reprise of Bartolo by the admirable Renato Girolami.
Yesterday’s lunchtime concert in the RBA was the last for the year in the vocal series and featured members of the Ensemble Studio. Rachael Kerr was scheduled to do about half the accompanying but illness prevented her from playing so some hasty reprogramming meant that what we got differed somewhat from the printed programme but it was still a very well put together effort.
Tapestry and the COC collaborated for yesterday’s concert in the RBA. The performers were members of the Ensemble Studio. The material was a mix of numbers from the Tapestry back catalogue plus a couple of songs by COC composer in residence Ian Cusson.
No big surprises in the announcement of new members of the COC Ensemble Studio. It’s the three prize winners from last year’s Centre Stage; tenor Matthew Cairns, bass-baritone Vartan Gabrielian and mezzo-soprano Jamie Groote. Also joining is pianist and intern coach Alex Soloway. Cairns and Groote are UoT grads and are well known to many Toronto opera goers through their appearances in UoT productions and elsewhere. Gabrielian is a Toronto native but studied at the Curtis so is not so well known. It will be interesting to get to know him.
New COC Ensemble Studio members (l – r): tenor Matthew Cairns, bass-baritone Vartan Gabrielian, mezzo-soprano Jamie Groote, pianist and intern coach Alex Soloway
Centre Stage is the COC’s annual gala/competition with cash prizes and places in the Ensemble Studio at stake. Last night eight young singers competed. The format was one aria before the reception; for judges and invited guests, and one after; for all the punters. So here, in the order they sang in the first half are my thoughts.
Ensemble Studio Competition finalists, Centre Stage 2018. Photo: Michael Cooper