Last night saw the first performance of a run of eleven in Against the Grain Theatre’s revival of their 2013 hit Figaro’s Wedding. It’s essentially the same show. Director/librettist Joel Ivany has made a number of tweaks and updates but the main differences lie in what the singers bring to their characters.
Last night at the COC there was a special performance of Puccini’s La Bohème. The cast was made up, for the most part, of current and past Ensemble Studio members and tickets had been made available free to a variety of community groups. It was billed as “Opera for Toronto”. There had also been a small number of tickets available on line on a first come basis and, by the looks of things , a fair number of comps for the cast.
Afarin Mansouri giving an introductory talk in Farsi – Credit: Gaetz Photography
Lauren Eberwein and Rachel Kerr put on a rather different show in the RBA at lunchtime. The musical component consisted of Ravel’s Jeu d’eaux and Messiaen’s Poèmes pour Mi. The surprise was that Lauren painted on a canvas on the floor throughout the performance. She brought on two palettes of acrylics and used her hands and feet to create a large abstract on the broad theme of “water”. Needless to say, she ended up covered in paint.
No big surprises in the announcement of new members of the COC Ensemble Studio. It’s the three prize winners from last year’s Centre Stage; tenor Matthew Cairns, bass-baritone Vartan Gabrielian and mezzo-soprano Jamie Groote. Also joining is pianist and intern coach Alex Soloway. Cairns and Groote are UoT grads and are well known to many Toronto opera goers through their appearances in UoT productions and elsewhere. Gabrielian is a Toronto native but studied at the Curtis so is not so well known. It will be interesting to get to know him.
New COC Ensemble Studio members (l – r): tenor Matthew Cairns, bass-baritone Vartan Gabrielian, mezzo-soprano Jamie Groote, pianist and intern coach Alex Soloway
Here are a few more February items of interest in addition to those mentioned here. Tapestry’s new piece Hook Up opens on January 30th at Theatre Passe Muraille and runs for most of February. Then on Sunday 3rd February at 2.30 pm VOICEBOX have a performance of Schubert’s rather rare opera Fierrebras. Kevin Mallon conducts the Aradia Ensemble for this one. Also there’s Opera Pub as usual on Thursday 7th February.
On February 16th at Gallery 345 at 8pm there will be an Against the Grain presentation of Poulenc’s La Voix Humaine. The “twist” here is that Elle becomes Lui and will be sung by tenor Jacques Arsenault. Topher Mokrzewski at the piano. Aria Umezawa directs the first in what is planned as a series of “twisted” concerts.
In free concert news there’s the Quilico Prize competition on February 11th at 5.30pm in the RBA. Once again the members of theEnsemble Studio compete for cash. At the nnon hour there’s Susan Bullock and Liz Upchurch on the 19th with a programme of Wagner, Strauss and Duparc and on the 20th there’s Samuel Chan and Stéphane Mayer with an all Schubert programme. Then on the 21st there’s Lauren Eberwein and Rachel Kerr with a Messiaen and Ravel show. Given that it’s the Jessye Norman Gala on the 20th as well I think I’ll just schlep my sleeping bag over to the Four Seasons Centre.
Also at the COC of course Elektra continues until February 22nd with Così fan tutte opening on February 5th and running until the 23rd.
The full Ensemble Studio was on display yesterday for an all Russian lunchtime concert. First up was Megan Quick with a couple of Rachmaninov songs. Megan’s timbre is very dark and it seems to be a natural fit for those Russian vowels. She was followed by Bruno Roy with a couple of Tchaikovsky numbers. He’s come on a lot in his time in the Studio. There’s some heft to the voice now and some quite impressive top notes. Good stuff.
Yesterday at noon we had the traditional season opening performance by the COC Ensemble Studio in the RBA; the Meet the Young Artists concert. There were two new singers and a new pianist joining six members returning from last year. First up was Danika Lorèn with Deh vieni non tardar. I think I’ve run out of new things to say about Danika. It’s all there; a very easy upper register, interesting colours and a growing degree of artistic assurance. I just want to see her on the big stage. Stéphane Mayer was at the piano with his usual sympathetic elegance. He really is rather good!
Not a relation of JS, CPE or PDQ but the venue for today’s lunchtime presentation of two JS Bach cantatas by mezzo Lauren Eberwein and organist Hyejin Kwon with violinists Liz Johnston and Rezan Onen-Lapointe, violist Keith Hamm, cellist Paul Widner, bassist Robert Speer and oboeist Mark Rogers. The two pieces were Ich habe genug, BWV 82 and Vergnügte Ruh, beliebte Seelenlust BWV 170; both works about the approach of death and the soul’s yearning for rest and salvation.
Yes it is and here’s what’s coming up. Sadly Natalie Dessay’s Koerner gig tonight has been cancelled. Get well soon and please come back! Tomorrow at 8pm the TSO has a concert with Carla Huhtanen featuring Morawetz’ Carnival Overture, Boulez’ Le soleil des eaux and Rimsky-Korsakoff’s Scheherezade. On Sunday Lyndsay Promane has a recital at 3pm at Islington United Church with works by Dowland, Faure, Schubert, Vaughan Williams and Strauss. Admission is by donation
Next week there are a bunch of free concerts in the RBA at noon. On Tuesday it’s Alysson McHardy and Rachel Andrist with a program of Schumann and Zemlinsky. Wednesday sees Aaron Sheppard and Stéphane Mayer perform Finzi’s A Young Man’s Exhortation. They will also be joined by Sam Pickett and Megan Quick. Finally, on Thursday Lauren Eberwein, who is sounding really good recently, and members of the COC Orchestra will perform two J.S. Bach cantatas; Ich habe genug and Vergnügte Ruh.
Yesterday’s lunchtime concert in the RBA featured mezzo Lauren Eberwin, soprano Danika Lorèn and pianists Hyejin Kwon and Stéphane Meyer. Lauren and Hyejin were first up with Schumann’s Frauenliebe und -leben. I’ve rarely seen this sung by a singer so obviously “in” the story. There was a real sense of first person storytelling as well as rather good singing. I thought Lauren sounded surprisingly sopranoish in the first seven numbers but they are optimistic and happy and a bright coloured voice seems apt. She certainly darkened it nicely for the final grim song. Hyejin was a most sympathetic partner.