A Few of Liz Upchurch’s Favourite Things

Liz Upchurch has now been head of the COC Ensemble Studio for twenty years.  To put that in perspective, Alain Coulombe was an Ensemble Studio member back then.  So Liz has deeply influenced a whole generation of Canadian singers and it was fitting that there should be a concert in her honour in the Richard Bradshaw Amphitheatre.  It’s named for the man who brought her to the COC and it’s been the venue for countless concerts by the Mama Bear’s cubs.

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May listings

Mayday-1So May Day greetings and hello again.  And here are some things you might care to see this month during your eight hours for “what you will”. It’s a bit belated for reasons previously announced but it’s here and I’m back.

Tonight at Lula Lounge at 7pm Tongue in Cheek productions have Democracy in Action.  Several noted singers (Krisztina Szabo, Julie Nesrallah, Natalya Gennadi, Teiya Kasahara, Asitha Tennekoon, Romulo Delgado, Alexander Hajek and Stephen Hegedus) will perform pieces based on audience voting.

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Batting 1000

Yesterday saw the 1000th concert in the Richard Bradshaw Amphitheatre (*) since the house opened in 2006.  Fittingly it was given by Susan Bullock who sang Brünnhilde in the Canadian premier of the Ring Cycle that christened the new theatre.  She was accompanied by Liz Upchurch who has also been around since before the new house existed.

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February

nlightsHere are a few more February items of interest in addition to those mentioned here.  Tapestry’s new piece Hook Up opens on January 30th at Theatre Passe Muraille and runs for most of February.  Then on Sunday 3rd February at 2.30 pm VOICEBOX have a performance of Schubert’s rather rare opera Fierrebras.  Kevin Mallon conducts the Aradia Ensemble for this one.  Also there’s Opera Pub as usual on Thursday 7th February.

On February 16th at Gallery 345 at 8pm there will be an Against the Grain presentation of Poulenc’s La Voix Humaine.  The “twist” here is that Elle becomes Lui and will be sung by tenor Jacques Arsenault.  Topher Mokrzewski at the piano.  Aria Umezawa directs the first in what is planned as a series of “twisted” concerts.

In free concert news there’s the Quilico Prize competition on February 11th at 5.30pm in the RBA.  Once again the members of theEnsemble Studio compete for cash.  At the nnon hour there’s Susan Bullock and Liz Upchurch on the 19th with a programme of Wagner, Strauss and Duparc and on the 20th there’s Samuel Chan and Stéphane Mayer with an all Schubert programme.  Then on the 21st there’s Lauren Eberwein and Rachel Kerr with a Messiaen and Ravel show.  Given that it’s the Jessye Norman Gala on the 20th as well I think I’ll just schlep my sleeping bag over to the Four Seasons Centre.

Also at the COC of course Elektra continues until February 22nd with Così fan tutte opening on February 5th and running until the 23rd.

Into the back half of February and beyond

eded64_558606377878465db0281238f5aa4ea9Here is what’s coming up.  Valentine’s day sees two vocal recitals.  At noon in the RBA there’s Clare de Sévigné and Rachel Andrist with The Truth about Love; the story of a young woman’s love gone awry.  At 8pm Ian Bostridge has an all Schubert program at Koerner Hall.  Thursday is also busy with members of the Ensemble Studio in a Russian program in the RBA at noon, a Johannes Debus masterclass at UoT at 2pm and Opera Trivia at the Four Seasons Centre at 7pm.  Then on Friday at 7.30pm in Walter Hall there’s a free concert; Vocalini, from the undergrads of the UoT Opera.  Also Thursday and Friday MYOpera have a couple of opportunities to see emerging artists.  There’s a public masterclass with Philip Morehead at 6pm Thursday at the Edward Jackman Centre and a concert at 7.30pm Friday at the Vandenberg House.

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Don’t take that baritone with me!

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Probably not

To the Four Season’s Centre last night to check out one of the COC’s adult education events.  This time it was about the baritone voice in all its aspects and featured Liz Upchurch at the piano and, mostly, doing the talking with Ensemble Studio members Sam Chan and Bruno Roy plus ES graduate Neil Craighead back in Toronto to sing Ceprano (not soprano) in Rigoletto doing some singing.

Besides the singing, of which more later, I think there were two takeaways from the evening though it was not actually divided up that way.  One, fascinating, dealt with the development of the voice and the sheer number of years it takes for bigger voices to more or less grow up.  Also, how do you develop and stretch the voice while staying vocally healthy.  Neil is 34 and his voice is really just beginning to get where one can see it going, which is likely big to very big.  Sam and Bruno, much younger, are still going through the process of figuring out what Fach (see below) they really are.  This seems to happen to everyone except maybe genuine basses, high sopranos and the really obvious tenors.  It was pretty cool for instance to heat Bruno sing a tenor aria though not, of course, something like Pour mon âme.

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Osborne and Haji

SONY DSCYesterday’s free lunchtime concert should have been the first opportunity to see Simone Osborne and Gordon Bintner in recital together but, sadly, Gordon had the lurgy so, if you want to see them perform together you will just have to go and see L’elisir d’amore at the COC.  Fortunately Andrew Haji was able to jump in at short notice.  Not such a bad guy to have on the bench!

Andrew started out with Santoliquido’s I canti della sera.  I had heard him sing these before at Mazzoleni but it was good to hear them again.  Genuine Italian art song isn’t all that common and these show the voice off nicely.  There was both some lovely limpid singing and plenty of power when needed.  He’s a pretty good story teller too.  He also gave us the three Duparc songs that he and Liz Upchurch, once again at the piano,  gave us earlier in the year.  Again the standout was Le manoir de Rosemonde, a most beautiful and haunting song given the full treatment here.

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