Yesterday’s RBA concert was at the unusual hour of 5.30pm and featured bass-baritone Brandon Cedel with Sandra Horst at the piano. It was a nicely balanced programme. Cedel began with Purcell’s Arise, ye subterranean winds from The Tempest. It’s one of those very Purcellian arias for low voice that feature long, not especially fast runs and put a lot of demands on the singer’s technique. Cedel’s is very solid. He can shape a line too and his English diction is excellent. There was some particular fine playing from Sandra Horst here too.
February always seems to be a busy month and the first half is shaping up that way. Things kick off on the 1st with the Sellars staging of di Lassus’ Lagrime di San Pietro at Koerner. On the 3rd Danika Lorèn is curating a concert at Heliconian for UoT Music. It’s called A Few Figs from Thistles, it’s at 7.30pm and it’s free. We are promised new songs by Danika based on poems by Edna St. Vincent Millay, Tekahionwake (E. Pauline Johnson) and Lorna Crozier.
Catalan collective Els Comediants’ production of Rossini’s The Barber of Seville is back at the COC in a revival of the 2015 production. Five years ago I described it as a “glorious romp” and, based on yesterday’s performance, I see non need to amend that judgement. It may be even better this time. It still has Joan Guillén’s wonderfully colourful and silly costumes and sets and it still has Joan Font’s inspired directing; perhaps even crisper this time. Once again it has a wonderful cast of international and Canadian singers including a reprise of Bartolo by the admirable Renato Girolami.