In which the dogs don’t really get let out

Tap:Ex METALLURGY is the second experiment by Tapestry Artistic Director Michael Mori in engineering a collaboration between  opera people and an alien musical form; in this case punk experimentalists Fucked Up.  The program consistec of two pieces.  Metallurgy A was written by Fucked Up’s Jonah Falco to a dense libretto by Mike Haliechuk and David James Brock.  In half an hour it tells the story of a mother and father trying, unsuccessfully, to come to terms with the death of their young daughter.  Dramatically it’s quite clever.  There’s dialogue and then the performers (the musicians are on stage with the singers) leave one by one until only the mother (Krisztina Szabó) and the violinist (Yoobin Ahn), representing the ghost of the daughter, are left on stage to play out a final duet.

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Madama Butterfly revived but not revitalised

The COC’s production of Madama Butterfly opened last night at the Four Seasons Centre.  I’m not a huge Madama Butterfly fan and it takes a really good production and a really good performance to get me past my instinctive dislike for a libretto based on child rape and sex tourism backed by Puccini soup with an infusion of Mikado.  This production, being revived for the umpty umpth time (It dates back to the Brian Dickie era) just wasn’t that.  Director Brian Macdonald writes in the programme “We both (he and Dickie) had had experience at the Stratford Festival.  That meant wood, simple props, no decoration that wouldn’t bespeak the essence of the play”.  Throw in an Allen key and it would sound like a trip to IKEA.  Which is pretty much what the designs are like; clean, functional and inoffensive.  Throw in costumes and gestures straight from the Mikado and you have it.  Not bad.  Just meh.

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