Here’s some of what January has to offer…
Toronto Operetta Theatre is doing Imre Kalman’s The Czardas Princess over the New Year holiday. It’s st the Jane Mallett Theatre and there are shows on December 30th and January 2nd, 3rd and 4th.
There’s a lot to like in the COC’s revival of Robert Carsen’s production of Gluck’s Orfeo ed Euridice that opened at the Four Seasons Centre on Thursday evening. I don’t think Gluck gets much better. Full review at bachtrack.com.
Photo: Michael Cooper
Amy Lane’s production of Gounod’s Roméo et Juliette at the COC is eye catching and enjoyable but doesn’t offer the same level of insight as her Faust last season. My full review is posted at bachtrack,com.
Photo: Michael Cooper
Life slowly returns to some version of normal.. Here’s what I’m seeing so far for Sptember.
On Friday night the COC presented a one-off concert style performance of Mascagni’s Cavalleria Rusticana. Concert style, in this case, meaning the orchestra on stage with the chorus behind them and the soloists singing from music stands at the front of the stage. There were some projections behind the stage.
On Wednesday evening I went back to the Four Seasons Centre for another look at the COC’s production of Berg’s Wozzeck. I was really impressed with the show on opening night (my review on bachtrack.com) and was interested to see whether a second look would give some insights into a production that is visually fascinating almost to the point of overload.
Michael Kupfer-Radecky as Wozzeck and Anthony Robin Schneider as the Doctor
My review of the COC’s revival of the Robert Carsen production of Eugene Onegin is now posted at bachtrack.com.
Photo: Michael Cooper
#bachtrack
My review of the COC’s production of Berg’s Wozzeck that opened on Friday is now up at bachtrack.com.
Wozzeck continues at the Four Seasons Centre until May 16th.
Photo credit: Michael Cooper
#bachtrack
Here are my top picks for May.
There have been a lot of announcements in the last few days. Tapestry announced that they had two companies “in residence” for next season at their new home at 877 Yonge Street. They are Opera Q ;led by Ryan Macdonald and Camille Rogers, who produced the pandemic video Medusa’s Children and Cultureland which is led by Afarin Mansouri and was responsible for Echoes of Bi-Sotoon. Continue reading
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