Today’s MetHD broadcast was Shostakovich’s absurdist opera The Nose based on a short story by Gogol. It’s about a bureaucrat whose nose falls off. The nose then gallivants around town impersonating a state councillor while the bureaucrat tries desperately to get it back. It’s a lovely Shostakovich score but honestly the one joke wears a bit thin when played out over two hours without an interval. Where’s a Soviet censor when one needs one?
William Kentridge’s La Scala production of Die Zauberflöte is mainly notable for its use of black and white projections. The intention, apparently, is to tell the story as seen by, or even as seen inside, a Victorian camera. In places this works rather well but at times it’s quite hard to figure out what is actually going on. Whether it was that hard to read in the theatre I can’t say. Video recording projections is really hard and i have a lot of sympathy with Patrizia Carmine who video-directed here. The film of a play of a film thing is really difficult to capture remotely faithfully.