A spy in the Confederate White House?

Intelligence; music by Jake Heggie, libretto by Gene Scheer, is, on the face of it, a spy thriller. We are in Richmond in 1865 and Union forces are closing in on the Southern capital. Elizabeth Van Lew is a wealthy spinster who is spying for the North. She infiltrates her enslaved woman Mary Jane Bowser into the Jefferson Davis household but Mary Jane is not what she appears. She is highly intelligent, literate and has a photographic memory. No-one will think to hide sensitive information from a, presumed illiterate, slave. The relationship between the two women is complex. Mary Jane was born in Elizabeth’s father’s home but was baptised in the white church and educated in the north. She has been told that her mother died in childbirth. But all is not as it seems.

Continue reading

Mark Adamo’s Lysistrata

Lysistrata or, The Nude Goddess; music and libretto by Mark Adamo, is very loosely based on the play by Aristophanes. It’s not a simple farce or anti-war propaganda piece. Rather it’s a complex interrogation of various dualities; male/female, peace/war, eros/thanatos, lust/love and, perhaps above all, everything that’s implied by the duo Ares/Aphrodite. So, although we are still in Athens during the Peloponnesian war and there’s still a sex strike it’s not Aristophanes. If there’s an overarching idea it’s that we all want love and we all want peace but on what/whose terms?

Continue reading

Orchestral music from Brett Dean

The latest recording of Australian composer Brett Dean’s music on the BIS label contains three quite substantial pieces.  The first is a violin concerto in three movements; The Lost Art of Letter Writing which is played by Frank Peter Zimmermann with the Sydney Symphony conducted by Jonathan Nott.  The four movements are each inspired by a 19th century letter (the details can be found here).  Collectively they form a fairly conventional concerto structure; a fast movement, a slow movement, a sort of scherzo and a very fast, busy and insistent conclusion.  It’s complex, dense and chromatic music that sometimes builds tension much in the manner of Shostakovich though Dean’s way of resolving that tension is very different.  It’s a really rewarding piece. Continue reading

Searing Elektra from Ed Gardner

Ed Gardner and the Bergen Philharmonic have produced some stunning recordings for the Chandos label.  The new release of Richard Strauss’ Elektra is no exception.  Indeed this is likely now the first choice audio recoding of this work.

It’s a very strong cast.  Iréne Theorin has enough heft for the title role but she’s also surprisingly lyrical where appropriate,  Jennifer Holloway is a sweet toned and sympathetic Chrysothemis and Tanja Ariane Baumgartner sounds suitably unhinged as Chrysothemis without sounding like her voice is past its sell by date.  Iain Paterson is an interesting Orest.  He’s kind of eerily creepy especially in his first scene with Elektra.  I rather liked it.  All the other roles are perfectly adequate too and so is the chorus.

But isn’t the real glory of Elektra the orchestral writing?  Gardner gets the most out of it with a reading that’s both very dramatic and surprisingly lyrical.  It’s taut too.  The tension just goes on and on.  The Bergen players respond splendidly.

The recording was made in the Grieghallen in December 2023 from live concert performances.  It’s splendid and has been released as a hybrid SACD.  The high resolution tracks are as good as any recording I’ve heard but this does mean that the dynamic range is realistically extreme!  With the volume set to a realistic level for the voices, the orchestral climaxes are very loud indeed so unless you have no neighbours within miles you might prefer headphones.  The climaxes though are super clean and detailed so not particularly fatiguing to listen to.  There’s a booklet with useful info and full text and translation.  The SACD physical release can, of course, be played like a standard CD on most CD players and the album is also available digitally as MP3 and lossless in 44.1kHz/16 bit and 96kHz/24 bit versions.

And what did my Elektra think?  She thought it was perfect music for an extended nap!

Catalogue information: Chandos CHSA 5375(2)

Amidst the Shades

Amidst the Shades is a new album from British soprano Ruby Hughes accompanied by Jonas Nordberg on lute and archlute and Mime Yamahiro Brinkmann on viola da gamba.  It’s a very beautiful record starting, as one might expect, with a selection of English song from the 16th and 17th century plus some pieces for solo lute.  There are songs by John Dowland, including the well known Can She Excuse My Wrongs (possibly to a text by Robert Devereux; if so clear who “she” is).  Robert Johnson makes an appearance with three songs including two Shakespeare settings.  John Danyel also features along with instrumental music by Anthony Holborne and Tobias Hume. Continue reading

Sky of My Heart

New York Polyphony are a quartet of singers; Geoffrey Williams – counter-tenor, Steven Caldicott Wilson and Andrew Fuchs – tenors and Craig Phillips – bass.  On Sky of My Heart they mostly sing unaccompanied but are joined by the LeStrange Viols (Loren Ludwig and John Mark Rozendaal – treble viol, Kivie Cahn-Lipman – tenor viol, Zoe Weiss and Douglas Kelley – bass viol).

The album is a mix of Renaissance and contemporary pieces; most of the latter composed for NYP.  They are very good singers with terrific control and a very clean largely vibrato free sound that works well for most of the music on the disk.  Some of the material is religious; William Byrd’s setting of Ecce quam bonum, Becky McGlade’s setting of Prudentius’ Of the Father’s Love Begotten and Ivan Moody’s settings of three excerpts from the Song of Songs.  All of these are unaccompanied in a churchy sort of style. Continue reading

Another nostalgic re-release

Following on from the du Pré cello concerto recordings I was also fortunate enough to get my hands on another Warner Classics remaster of old EMI recordings.  This one consists of the Barenboim/Klemperer recordings of the five Beethoven piano concertos and the Choral Fantasia recorded with the New Philharmonia Orchestra and the John Allis Choir back in 1967.  I used to own these on vinyl decades ago.  Now they are available as a three SACD set.

Continue reading

The complete du Pré

I first started to think seriously about the late Jacqueline du Pré when I saw the Woolf/Vavrek opera Jacqueline in 2020 at Tapestry.  Subsequently I listened to the CD release and attended the remount at Tapestry in February this year.  Then I saw that all of her concerto recordings for HMV (back catalogue now owned by Warner Classics) made between 1965 and 1970 had got a major facelift along the lines of the Solti Ring.  The original analogue tapes have been digitized at 192kHz/24 bit using the latest technology and then remastered for SACD.  The result is a four hybrid SACD box set called The Great Cello Concertos. Continue reading

Schubert’s Four Seasons

Schubert’s Four Seasons is a recital disk on the BIS label by soprano Carolyn Sampson and pianist Jioseph Middleton.  It contains a generous 75 minutes of music made up of twenty Schubert songs about the seasons and nature generally (also death… there’s lots of death).  Most of the songs are less well known ones but there are some more frequently heard one likes Die Forelle, Im Frühllind and Der Hirt auf dem Felsen (which also features Michael Collins on clarinet).

Continue reading