Schumann and Wagner

pregardiengeesI’ve been listening to Christoph Prégardien and Michael Gees’ new Schumann and Wagner recording for a number of reasons.  I was very impressed with Prégardien when he appeared at Toronto Summer Music in 2018.  I’m not familiar with the Schumann Op.90 Lenau Lieder und Requiem.  I don’t think I have ever heard a tenor sing the Wesendonck Lieder.  And, this is the first SACD of a song recital to come my way and I wanted to see if it made any appreciable difference.

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Fantastique

tsofantastiqueThe Toronto Symphony have a new CD out.  It’s a couple of Berlioz works recorded under the baton of Sir Andrew Davis at Roy Thomson Hall in September 2018.  The first piece is the rarely heard Fantaisie sur la Tempête de Shakespeare for which the orchestra is joined by the Toronto Mendelssohn Choir.  It’s an early piece inspired by one of Berlioz’ unrequited passions (like everything else by Berlioz!) and was considered daringly modern in its day.  It’s said to be the first piece to introduce a harp to the symphony orchestra and it also includes piano four hands.  It’s very colourful and rather brash which is territory that Sir Andrew excels in.  There’s great clarity to both the singing and the playing.

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L’Enfance du Christ

enfanceduchristI got hold of the recent Chandos recording of Berlioz’ L’Enfance du Christ largely because I wanted to take a look at the Super Audio CD format.  On that subject my thoughts are here.  But it was also a chance to listen to a piece I was entirely unfamiliar with.  I’m glad I did.  It’s quite beautiful music; lyrical rather than dramatic, except perhaps in the early sections where Herod is having a hissy fit.  I can see why it’s not done very often though.  It calls for seven soloists plus chorus and a big orchestra.

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SACD?

1200px-SACDlogo.svgMy recently acquired media player plays SACD disks.  I recently acquired a review copy of one such.  It’s the Chandos recording of Berlioz’ L’enface du Christ recorded by Andrew Davis and the Melbourne Symphony.  It comes with three “tracks”; standard (more or less) CD which will play on a CD player and both stereo and surround tracks in SACD format.  Now “standard CD” for Chandos is a bit higher definition than most CDs.  24 bit at 48kHz versus 16 bit at 44.1 kHz.  Is there a detectable difference?

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