Music to wallow in?

verklartenachtNo, not Flanders and Swann but rather a well constructed new recording from Edward Gardner and the BBC Symphony Orchestra.  It contains music by four composers exemplifying that lush territory that lies emotionally, if not always temporally, between Wagner and the Second Vienna School.  The two central works were both inspired by Richard Dehmel’s Verklärte Nacht.  The first is a 1901 setting of the text for mezzo, tenor and orchestra by Oskar Fried.  It’s lushly scored and rather beautiful.  The sound world is not dissimilar to Schoenberg’s Gurrelieder.  Gardner gets a lovely sound from his players and some really gorgeous singing from Christine Rice and Stuart Skelton.  The second Verklärte Nacht is the more familiar Schoenberg piece for string orchestra.  It’s curious how without voices and with only strings it manages to sound almost as lush as the Fried.

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Bliss it was

CHSA5242The latest release on the Chandos label from Sir Andrew Davis consists of three works by Sir Arthur Bliss; The Enchantress, Meditations on a Theme by John Blow and Mary of Magdala.

The Enchantress was written for Kathleen Ferrier and premiered in 1951.  The text is a free adaptation of the Second Idyll of Theocritus by playwright Henry Reed.  The preface to the score tells us that:

 

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We’re dinosaurs… and we are dead

dove coverThat headline is taken from the eighth movement of Jonathan Dove’s 2016 work for orchestra and children’s chorus; A Brief History of Creation, which takes us in thirteen movements from the stars to man via, inter alia, rain, sharks, whales and monkeys.  The text, by Alasdair Middleton, is clever, engaging and singable.  The music is eclectic.  There are elements of atonality but also intense lyricism.  It’s by turns shimmery, frantic, doom laden and meditative.  It engages beautifully with the text and Dove has a very sure sense of what is and is not reasonable to ask of a children’s choir.  Some short text sections are left as spoken (with a very authentic Mancunian accent).  All in all, it’s a witty and enjoyable piece that doesn’t outstay it’s 45 minutes or so.

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