Intelligence; music by Jake Heggie, libretto by Gene Scheer, is, on the face of it, a spy thriller. We are in Richmond in 1865 and Union forces are closing in on the Southern capital. Elizabeth Van Lew is a wealthy spinster who is spying for the North. She infiltrates her enslaved woman Mary Jane Bowser into the Jefferson Davis household but Mary Jane is not what she appears. She is highly intelligent, literate and has a photographic memory. No-one will think to hide sensitive information from a, presumed illiterate, slave. The relationship between the two women is complex. Mary Jane was born in Elizabeth’s father’s home but was baptised in the white church and educated in the north. She has been told that her mother died in childbirth. But all is not as it seems.
Tag Archives: mayes
A tribute to Portia White
I attended the third and final performance of Aportia Chryptych: A Black Opera for Portia White by HAUI x Sean Hayes at the Canadian Opera Company Theatre on Sunday afternoon. It’s a very ambitious piece which has some really excellent ideas and scenes but perhaps bites off a bit more than it can chew.
Sneak preview of Aportia Chryptych: A Black Opera for Portia White
Tuesday’s concert in the RBA was a chance to listen to some of the music that will feature in Aportia Chryptych: A Black Opera for Portia White (music by Sean Mayes, libretto by HAUI) when it premieres in the COC Theatre later this year.
COC season 23/24 reveal
Things are a bit sub fusc at the COC these days. The season reveal isn’t a glitzy gala with a big fight to grab the charcuterie. It isn’t even a 10am doughnuts and coffee presser in the RBA where the ghost of Robert Everett-Green could ask what happened to the promised new Canadian operas . It’s just an email arriving at the prescribed time. There isn’t even an embargoed press only version to let us get our ducks in a row before the broader public get the news. Such is life.