The decision by Toronto Masque Theatre to pair Purcell’s miniature opera, Dido and Aeneas, with James Rolfe and André Alexis’ piece on the lovers’ inner thoughts, Aeneas and Dido, paid off last night. It produced an evening of just the right length with two contrasting but complementary pieces working really well together.
Toronto Masque Theatre have announced their 2016/17 season. There are two main stage productions and three salon concerts. First of the main stage shows is a double bill of Handel’s dramatic cantata Apollo and Daphne with Jacqueline Woodley and Geoffrey Sirett and dancer Stéphaie Brochard, directed and choreographed by Marie-Nathalie Lacoursière paired with Richard Strauss’s Enoch Arden based on the epic poem by Tennyson, performed by actor Derek Boyes and pianist Angela Park. This one is at 8:00 pm on November 17th, 18th and 19th with a pre-show event at 7:15 pm each evening at the Enoch Turner Schoolhouse.
The opening weekend of April is almost absurdly rich in opera going opportunities and I’ve already previewed it here. There are updates on the Tapestry/Volcano show Revolutions. This is going to be highly experimental and aims to “test the boundaries of how opera is presented in the 21st century.” by exploring the relationship between physical and musical expression. Marie- Josée Chartier (contemporary dance), stage director Michael Mori, will work with four athletic young opera singers, Neema Bickersteth, Andrea Ludwig, Adrian Kramer and Andrew Love. Unfortunately it’s one night only and I shall be at the opening of Peter Sellars’ production of Handel’s Hercules at the COC. Eric Owens, Alice Coote, Richard Croft, David Daniels and Lucy Crowe are singing and Harry Bicket is in the pit. If that’s not incentive enough the COC is offering a 25% discount if you buy tickets to any two of the three spring operas (the other two are Roberto Devereux and Don Quichotte). Continue reading →
Last night Toronto Masque Theatre presented a double bill entitled The Lessons of Love. First up was John Blow’s 1683 masque Venus and Adonis and it was followed by the premier of The Lesson of Da Ji; a fusion of Western and traditional Chinese elements by composer Alice Ping Yee Ho and librettist Marjorie Chan.
Toronto Masque Theatre’s latest effort is a Purcell show called Fairest Isle. It’s semi-staged performance of excerpts from Purcell works, mainly the four stage works; Dido and Aeneas, The Fairy Queen, The Indian Queen and King Arthur (Wot! No Diocletian you cry) interspersed with readings from the plays and a narrative about Purcell’s life performed by actors Derek Boyes and Arlene Mazerolle. The staging involves frequent short dance pieces, in a recognisably period style (heels, long skirts, arms never above the shoulder) by Marie-Nathalie Lacoursière. The six singers, costumed throughout in dark suits or dresses, mostly sang from music stands though some pieces were blocked. There was an eight piece ensemble; two violins (Larry Beckwith/Kathleen Kajioka), viola (Karen Moffat), two oboes (John Abberger/Gillian Howard), cello (Margaret Gay), lute/guitar (Lucas Harris) and keyboards (Christopher Bagan) directed by Beckwith. Continue reading →