A couple of things

werther-nzkrkplp.v3wThe Art Song Foundation of Canada has launched a new free on-line magazine called, somewhat unsurprisingly, Art Song Canada.  The first issue has three articles including a very interesting one by Gerald Finley.  You can sign up for it and see the first issue here.

A listing I missed on the weekend… On November 25th at 2.30pm in the Jane Mallet Theatre, VOICEBOX:Opera in Concert are presenting Massenet’s Werther with Matt Chittick in the title role,  Isabel Bayrakdarian as Charlotte and Brett Polegato as Albert.  Narmina Afandiyeva directs from the piano.

Royal Conservatory 2017/18 Koerner Hall season

wallis-giunta-photo-dario-acostaThe Royal Conservatory has just announced its Koerner Hall line up for the 2017/18 season.  There are 23 classical and 6 jazz concerts.  This doesn’t include the Glenn Gould School or concerts in the RCM’s other halls.  Highlights from a vocal point of view are as follows:

November 10th 2017 at 8pm:  Barbara Hannigan with Reinbert de Leeuw in a mainly Second Vienna School programme.  Not to be missed if that’s your thing and it’s certainly mine.

February 14th 2018 at 8pm:  Ian Bostridge with Julius Drake in an all Schubert programme.

April 6th 2018 at 8pm:  Bernstein@100; a tribute to Lenny featuring, among others, Wallis Giunta.

April 22nd 2018 at 3pm:  Gerald Finley with Julius Drake in a varied program of art and folk songs.

April 27th 2018 at 8pm:  The Amici Ensemble with Isabel Bayrakdarian and the winners of the GGS chamber music competition.  The vocal part of the programme is all Bernstein.

May 10th 2018 at 8pm:  Not typical Opera Ramblings fare but worth a mention; Jodi Sarvall, Hespèrion XXI and Galician pipes specialist Carlos Núñez in a program of pipe music from around the western fringes of Europe.

The PDF with the full line up is here

Mother of Light

motheroflightThis review first appeared in the print edition of Opera Canada.

Mother of Light contains a series of works in praise of the Virgin Mary from Isabel Bayrakdarian’s Armenian Church tradition. Origins range from the 5th century to the early 20th. They are performed here in arrangements by Bayrakdarian’s husband Serouj Kradjian for soprano (Isabel Bayrakdarian), cello (Ani Aznavoorian) and female choir (Coro Vox Aeterna conducted by Anna Hamre).

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Upcoming events

127-recitals-at-rosedale-2014-2015This Sunday sees the first of the season for Recitals at Rosedale.  Entitled A Walk on the Dark Side: Myths, Legends and Fairy Tales, it will feature soprano Leslie Ann Bradley, mezzo soprano Allyson McHardy and baritone Geoff Sirett with pianists Robert Kortgaard and Rachel Andrist. The programme features works by Mahler, Debussy, Symanowski, Weil, Gershwin and more.  It’s on November 9th at 2.30 pm at Rosedale Presbyterian Church and tickets are available here.

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Rival Queens

Isabel-bayrakdarianRival Queens is a collaboration between Tafelmusik and Isabel Bayrakdarian showcasing music written for Faustina Bordoni and Francesca Cuzzoni; star divas of the 18th century who fought out a bitter rivalry on stage in London in 1726-28.  The great composers of the sage, most notably Handel, all composed for them and wrote works that brought out their respective, and quite contrasted, strengths.

In the first half of the program Bayrakdarian focused on works for Bordoni.  There were arias from Handel’s Alessandro (one of the works both divas performed in), Bononcini’s Astianatte and Hasse’s Cajo Fabricio.  These are pieces requiring extremely secure technique.  They lie fairly low in the soprano range (maybe modern mezzo territory) but have long, long, intricate coloratura runs which Bayrakdarian navigated with apparent ease.  The arias were rounded out with orchestral pieces by Handel and Zelenka.

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April in Toronto

RevolutionsPosterThe opening weekend of April is almost absurdly rich in opera going opportunities and I’ve already previewed it here.  There are updates on the Tapestry/Volcano show Revolutions.  This is going to be highly experimental and aims to “test the boundaries of how opera is presented in the 21st century.” by exploring the relationship between physical and musical expression.  Marie- Josée Chartier (contemporary dance), stage director Michael Mori, will work with four athletic young opera singers, Neema Bickersteth, Andrea Ludwig, Adrian Kramer and Andrew Love.  Unfortunately it’s one night only and I shall be at the opening of Peter Sellars’ production of Handel’s Hercules at the COC.  Eric Owens, Alice Coote, Richard Croft, David Daniels and Lucy Crowe are singing and Harry Bicket is in the pit.  If that’s not incentive enough the COC is offering a 25% discount if you buy tickets to any two of the three spring operas (the other two are Roberto Devereux and Don Quichotte).  Continue reading

Cunning Little Vixen short on magic

The 2009 Florence recording of Janáček’s The Cunning Little Vixen is bright, colourful, straightforward and fun but it doesn’t quite have the magic of the older Théâtre du Châtelet version.  Laurent Pelly’s production is quite straightforward with attractive sets and costumes and interesting choreography from Lionel Hoche.

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