The 2009 Florence recording of Janáček’s The Cunning Little Vixen is bright, colourful, straightforward and fun but it doesn’t quite have the magic of the older Théâtre du Châtelet version. Laurent Pelly’s production is quite straightforward with attractive sets and costumes and interesting choreography from Lionel Hoche.
The 2007 recording of Verdi’s La Traviata from Milan’s Teattro alla Scala is extremely traditional but very satisfying. Liliana Cavani’s production is set in the mid 19th century with entirely conventional sets and costumes (with the obligatory cleavage) and nothing in the direction that adds up to an original concept or idea. Act 1 is set in a glitzy ballroom. Act 2 scene 1 takes us to a slightly odd sort of country house bedsit with billiard table In Act 2 scene 2 we are back with the glitz with actual gypsies and bare chested matadors. Act 3 is set in a suitably dark invalid’s bedroom. Angela Gheorghiu’s Violetta goes from ballgown to nightdress to ballgown to nightdress while maintaining Ange levels of, you guessed it, cleavage. The guys are all in evening dress or operetta dress uniforms. It’s all pretty and doesn’t distract from the music.