Monica and Judy

Yesterday’s Mazzoleni Songmasters recital featured the relatively unusual combination of soprano Monica Whicher accompanied by Judy Loman on harp.  It was a very well constructed and executed afternoon of song.  Each set had something to offer.Th first set was of English songs of the 16th and 17th centuries including the very lovely O Death Rock Me Asleep attributed, almost certainly inaccurately, to Anne Boleyn.  All very touching and harp seeming very appropriate for songs which were likely intended for lute accompaniment.

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Soundstreams’ Seven Deadly Sins

Humans seem to have a deep need to classify things.  Why else would one try to summarise the totality of human failings into a sevenfold taxonomy but Pope Gregory’s list of “Deadly Sins” seems to have the enduring ability to inspire artistic endeavour.  Weill’s ballet chanté and Anthony Powell’s description of a louche evening at Stourwater (The Kindly Ones) being but two of the most memorable.

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Frustrating Idomeneo

Opera Atelier’s current production of Mozart’s Idomeneo is frustrating, especially given their recent run of good form.  It, unfortunately, combines a fussy, rather pointless production with histrionic antics and uneven singing.  It’s just not good enough.

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Innocent revels

purcellWhat do you get when you take nine multi-talented musicians from a variety of musical backgrounds and give them a Purcell toy box to play in?  You get the latest concert in the Confluence series; ‘Tis Nature’s Voice: Henry Purcell Reimagined.  It’s an amazingly fun evening that completely blows the cobwebs off the often stuffy Toronto baroque music scene.  I can’t do a number by number account because I completely lost track.  I was having way too much fun.

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Songbook IX

Jacquenline-Woodley-600x218The ninth edition of Tapestry’s celebration of their back catalogue happened last night in the Ernest Balmer Studio.  This year’s mentors are Jacqueline Woodley and Andrea Grant.  The emerging artists are Elisabeth Boudreault, Lindsay Connolly, Brianna DeSantis, Ryan Downey, Gabrielle French, Rebecca Gray, Lauren Halász, Rachel Krehm, Brittany Rae, Anne-Marie Ramos and Jennifer Routier with pianists Qiao Yi Miao Mu and Ryoko Hou.

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La Traviata at TCO

Toronto City Opera opened a run of three performances of Verdi’s La Traviata at the Al Green Theatre last night.  It’s a bit of a mixed bag.  Certainly less even than their Le nozze di Figaro earlier in the season.  Director Alaina Viau sets the piece in contemporary Toronto which creates both possibilities and problems.  I’ll come back to that because I want to talk about the performances first.

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Norcop Prize recital

Walter Hall at lunchtime today saw the annual recital for the winners of the Norcop Prize in song and the Williams Koldofsky Prize in Accompanying.  The winners this year were baritone Korin Thomas-Smith and pianist Joy Lee.  It was a very well constructed recital.  It was all English language and consisted of three sets of highly contrasted moods.

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The Next Wave workshop

Last night, at the Ernest Balmer Studio, we got to see somewhat more developed versions of the works presented earlier in the week in the RBA but this time in staged format.  I’m not sure my opinions changed much as a result though I think I’m even more convinced that here we have five pieces of substance that deserve to be seen in fully realised form.  So, some brief thoughts on each.  Note that, except for Book of Faces we only saw extracts from pieces that are still WIP. Continue reading

The Magic Flute at the GGS

I went into last night’s Glenn Gould School performance of Mozart’s The Magic Flute at Koerner Hall with all kinds of questions buzzing around in my head; partly because of an earlier conversation with director Joel Ivany and partly, well, Magic Flute – that most enigmatic of operas.  If only one could go back (more than forty years) to seeing it for the first time!

Photo: Nicola Betts

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