Celebrating R. Murray Schafer

schaferSunday, at Grace Church on the Hill, Soundstreams presented Celebrating R. Murray Schafer.  It felt like a cross between a concert and a memorial service.  There were no prayers but there were eulogies and Eleanor James drew the parallel between Schafer’s sources of inspiration and Pentecost; that feast of the Church having been chosen deliberately for the event.

There was lots of music of course.  The afternoon was bookended by two of Schafer’s ceremonial wilderness pieces for voice and trumpet.  Meghan Lindsay and Michael Fedyshyn welcomed us with the Aubade for Two Voices and bid us farewell with Departure.  Both were made the more haunting from the performers being out of sight.  Choir 21 with conductor David Fallis sang two sets.  First came the three hymns from The Fall into Light which appropriately set texts drawn from the Manichaean tradition.  There was some wonderfully precise singing here.  The second set was perhaps more light hearted with Epitaph for Moonlight which was written for amateur performance and the playful Fire which, besides singing, involves banging rocks together.

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Monica and Judy

Yesterday’s Mazzoleni Songmasters recital featured the relatively unusual combination of soprano Monica Whicher accompanied by Judy Loman on harp.  It was a very well constructed and executed afternoon of song.  Each set had something to offer.Th first set was of English songs of the 16th and 17th centuries including the very lovely O Death Rock Me Asleep attributed, almost certainly inaccurately, to Anne Boleyn.  All very touching and harp seeming very appropriate for songs which were likely intended for lute accompaniment.

judymonica

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