Nozze at Toronto City Opera

Toronto City Opera has been around for a while but its previous performance location at the Bickford Centre was quite sufficient to keep me away.  The Miles Nadal JCC is quite another matter.  The basic idea of TCO is that the chorus is open to, essentially, anybody and that their subscriptions, plus fund raising, allow the company to do a couple of staged shows each year with young professional soloists, director, conductor and pianist.  So, in theory it’s a chorus centric endeavour so the choice of Le Nozze di Figaro seems a bit odd since it has less than ten minutes of chorus and that is usually covered by a small group of eight or so ladies.  That said, Nozze is their first of two productions this season and I saw the last show in the run this afternoon.

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Electric Messiah IV

Soundstreams’ Electric Messiah is back for a fourth outing, again under the musical direction of Adam Scime.  The formula is basically the same as previous years.

  • Take excerpts from Handel’s Messiah
  • Add some new music
  • Arrange for small chamber ensemble, electronics and turntables (Sarah Svendsen, analog and electric harpsichord; Joel Schwartz, electric guitar; Jeff McLeod, electric organl; SlowPitchSound, turntablist)
  • Take a quartet of singers from different vocal traditions (Jonathan MacArthur, Katherine Hill, Aviva Chernick and Alex Samaras)
  • Throw in a dancer (Lybido)
  • Have some of the text sung in a language relevant to the singer (Gaelic, Hebrew, Swedish this time)
  • Stage it at Drake Underground

This year in addition there was some interpolated music not directly derived from Messiah; to whit, a gospel piece for Samaras called “Personal Jesus” and a harpsichord solo.

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Open Chambers

Staging art song and chamber works happens in Toronto but not a lot.  Over the last few years I’ve seen interesting shows from Against the Grain, Collectif and UoT Opera among others.  As it’s something I tend to enjoy I was pleased to catch the opening performance of Opera 5’s Hindemith and Shostakovich program; itself the first in a proposed series called Open Chambers.

Open Chambers #15

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Energetic Street Scene

This year’s fall production by UoT Opera is Kurt Weill’s Street Scene.  It’s a tricky piece in many ways.  It’s part opera, part Broadway musical.  The moods range from light comedy to something very much darker and lurking treacherously at its core is a sentimental streak that can easily overwhelm its merits.  Michael Patrick Albano’s production, coupled with Anna Theodosakis’ energetic and varied choreography, managed to keep the focus on the strengths of the piece and deliver a very satisfying evening at the theatre.

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Bound 2.0

The second of three projected iterations of Against the Grain Theatre’s Bound opened last night at The Great Hall.  Version one was staged but in piano score.  Last night’s version was sung off music stands but with a chamber ensemble and major changes to the music.  It’s going to be interesting to see how the production version, due this time next year shapes up.

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Andrew Haji, Miriam Khalil, Topher Mokrzewski, Justin Welsh, David Trudgen

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Latvian Radio Choir

The Latvian Radio Choir tend to show up once a year as part of Soundstreams’ concert series.  Last night was the first time I have managed to go.  It was at Metropolitan United Church and I was up in the balcony.  It’s an awesome view and the sound is great but it’s hot!  I guess that’s where they put the sinners.

Soundstreams_LatvianRadioChoir_ClaireHarvie2018_1

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The Monkey Queen

The Monkey Queen, currently being presented by Red Snow Collective at the Theatre Centre Incubator, is a play with music and movement, rather than opera or music theatre.  Diana Tso’s play riffs off the classic Journey to the West to create a “journey to the east” in which a Chinese-Canadian woman explores her own roots and identity in a narrative and landscape half real, half mythical.

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L’invitation au voyage

Yesterday afternoon I attended the latest concert in the extremely well curated Mazzoleni Songmasters series at the Royal Conservatory of Music.  This one featured soprano Joyce El Khoury and mezzo Beste Kalender in a program of French songs influenced by orientalism with some genuine Lebanese and Turkish songs thrown in for fun.  Rachel Andrist and Robert Kortgaard were at the piano and, besides accompanying, gave us a couple of short pieces for four hands.

beste and joyce

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6th annual Krehm memorial concert

ekThe 6th in the annual series of fundraisers for St. Mike’s ICU in memory of Elizabeth Krehm took place at Christ Church, Deer Park last night.  Once again Evan Mitchell had assembled a fine orchestra of volunteers and Elizabeth’s sister, Rachel, sang.  The orchestra book ended the program with the overture from Hänsel und Gretel and Brahm’s 4th Symphony; the latter a very red blooded account indeed with the brass and woodwinds getting a workout.  The main interest though was the premier of Come Closer: Songs on Texts by Elizabeth Krehm.  The texts are drawn from selections of Elizabeth’s writing, from Grade 2 to near the end of her short life, selected by Rachel.  The music is by Ryan Trew.  They are really quite evocative texts, showing a surprising emotional depth.  The settings are apt; steering a middle ground between artsy and schmaltzy, and Rachel sang with real feeling.  It was a loving and lovely act of remembrance.

The valley of lost things

How to present a mostly forgotten composer to a modern audience is an interesting conundrum.  Reviving a four hour opera seria about Marcus Aurelius likely isn’t the answer and just sticking a few pieces in an otherwise mainstream program is unlikely to have much impact either.  Better by far, I think, is the approach Ivars Taurins has taken in Tafelmusik’s current run of concerts of music by the Venetian Agostino Steffani (1654-1728) at Trinity St.Paul’s.

1714_circa_Gerhard_Kappers,_Agostino_Steffani,_oil_on_canvas,_89_x_69_cm

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