Collectìf – Beyond Perception

Collectìf’s latest show for the Toronto Summer Music Festival at Walter Hall last night was called Beyond Perception: What Haunts Us Now.  It presented three new multimedia works each curated and directed by one of the trio of singers.  The first piece, by Whitney O’Hearne featured arrangements of French works; both folk and classical that deal with the idea of La Dame Blanche; by turns sorceress or virgin bride.  Turning the idea of male defined female transgression upside down to celebrate women’s agency, O’Hearn combined arrangements of the chosen music for combinations of three voices and piano with soft focus atmospheric video rather reminiscent of Collectìf’s Winterreise show at Heliconian Hall.  The singing was beautiful and the concept intriguing.  Top notch accompaniment by Trevor Chartrand.

DSCF0267-Gord Fulton

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reGENERATION week 2

The second set of reGENERATION concerts of the Topronto Summer Music Festival took place yesterday at Walter Hall.  The song portion, unusually, consisted of 100% English language rep, mirroring the Griffey/Jones recital earlier in the wee.  The first concert kicked off with tenor Eric Laine and pianist Scott Downing with five songs from Finzi’s setting of Thomas Hardy; A Young Man’s Exhortation.  It was good.  Laine has a nice sense of style and very good diction.  The high notes are there though sometimes, especially at the end of a line, they don’t sound 100% secure.  There was some quite delicate accompaniment from Downing too.

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Voices Across the Atlantic

Last night’s Toronto Summer Music concert at the Church of the redeemer was headlined by Daniel Taylor, Charles Daniels and Steven Philcox but, somewhat to my surprise, also featured multiple fellows from both the art song and chamber music programmes.

The “headliners” kicked things off with Britten’s canticle Abraham and Isaac, based on one of the Chester Mystery Plays.  I thought I knew this piece but soon realised I was confusing it with the setting of Owen’s The Parable of the Old Man and the Young in the War Requiem!  It’s an interesting piece with a very medieval Catholic take on an Old Testament story.  It was performed here with the delicacy and attention to detail I’d expect from these performers.

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Griffey and Jones in recital

Anthony Dean Griffey and Warren Jones’ TSMF recital at Walter Hall last night was an all English language affair with offerings from both sides of the pond.  IT kicked off with Frank Bridge’s Three Songs for voice, viola and piano with the viola part played on the cello by David Heiss.  These might better be billed as for “Viola, piano and voice” as the viola part is much, much more interesting than the vocal line.  Really it felt more like a piece of chamber music that happened to include a vocalist.  Heiss played beautifully as did Jones and Griffey did what was to be done with the vocal line.

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reGENERATION week 1

There were three reGENERATION concerts in Walter Hall yesterday at 1pm, 4pm and 7.30pm.  It made for a long but interesting day.  As last year, each concert was a mix of vocal and chamber music.  The vocal program was not announced in advance so I’m working from notes and there could be the odd error.  Pleasingly, there were surtitles for the songs.  This is a huge improvement on a sheet of tiny print to be read in the dark! Continue reading

Toronto Summer Music opener

Last night saw the first concert of this year’s Toronto Summer Music Festival.  The theme was “Beyond Borders” with most of the works presented; a mixture of piano, violin and vocal, having been influenced by other cultures/places or written in exile.

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Bon Appétit

Muse 9 Production’s new show Bon Appétit: A Musical Tasting Menu couples three short operas about food and was, appropriately enough, presented at Merchants of Green Coffee on Matilda Street.  Perhaps “opera” isn’t the right term as, although each piece was fully staged, they featured only one singer each.  “Opera” or “staged song”?  I don’t really care as they were fun.

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I have a Japanese carving

Hell’s Fury(*) is a two man show about Hanns Eisler conceived and created by Tim Albery.  It’s focussed on his time in the United States and, somewhat, on his return to the DDR.  It combines songs from the Hollywood Songbook (poems by Brecht and others set by Eisler), dialogue and projections to tell the story of Eisler’s arrival in Hollywood, his work in the US, his deportation as a result of the “work” of the House Un-American Activities Committee and his return to the GDR and struggles to come to terms with the Stalinist culturecrats leading ultimately to drink, depression and death.

Russell Braun in Hell's Fury The Hollywood Songbook_Photo by Trevor Haldenby (2)

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The Book of My Shames

headshot-isaiah-bell-2017-websizedThis is what would happen if the opera singing love child of Noel Coward and Sylvia Plath was encouraged by his therapist to perform on “Grownups Read Things They Wrote as Kids”. – Isaiah Bell

Isaiah Bell’s The Book of My Shames has something in common with Teiya Kasahara’s Queer of the Night.  Both are one queer shows dealing very directly and honestly with aspects of being queer and both are very impressive singers.  There perhaps the comparison pretty much ends for while Teiya’s show was about the tribulations of being gay in the opera world Isaiah’s piece is about growing up gay in a seriously dysfunctional environment.

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Pomegranate premiere

Last night Pomegranate; music by Kye Marshall, words by Amanda Hale, opened at Buddies in Bad Times.  Inspired by the Villa of Mysteries in Pompeii, it tells the story of two lesbian lovers.  Cass has broken up with Suzy in 1980s Toronto.  She visits Pompeii as a tourist and is carried back in time to meet her lover in a previous incarnation in the Temple of Isis.  There’s a whole act dealing with the Mysteries, Cassia and Suli’s burgeoning relationship and the attempt by the Roman state to suppress the religion.  Then Vesuvius erupts.  Fast forward to Act 2 in a lesbian bar in Toronto.  Suzy, an immigrant from some unspecified war zone is pressured by her family to break up with Cass.  There’s a slightly surreal byt dramatically satisfying epilogue where modern Cass reunites with Roman Sulli in the ruins of Pompeii.

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