So you have sung the Queen of the Night exactly 2,327 times; high Fs and all, and you are sick to death of it and the Misogyny it rode in on. What do you do? Well, obvs you create a one woman show that teeters between mocking opera stereotypes of women and something much darker. At least that’s what Teiya Kasahara did as part of Tapestry Opera’s Tap This: A Queerated Opera Series presented in conjunction with Pride.
So our favourite inked butch dyke coloratura comes on in a foofy dress complete with Dollarama coronet and wand and starts to sing the heck out of that aria – you know, the one they sing at weddings. But then it rapidly morphs into a diatribe; first in German, then in heavily accented English, about the role, how women are portrayed in opera, occasionally veering into how women; sopranos in particular, are seen/treated in the opera world(*) before switching up into dress pants and a wing collared shirt with studs (despite pianist David Eliakis’ increasingly frantic pleas of “no pants”). Along the way there are jokes, some killer singing and some very sharp reminders of what it’s like to be a strong, athletic, queer woman in a world that expects its sopranos to behave as if they are romantically dying of TB on-stage and off. It’s a very moving and rather disturbing 45 minutes that I really can’t do full justice to. It’s a very brave show and I hope Teiya puts it on again. More people need to see it.
(*)It’s odd that it should come just after I first encountered Kiri Te Kanawa live for surely few sopranos have been as sexually objectified. I don’t know how many people remember Bernard Levin’s Times column written after her ROH debut in 1971 but it’s probably the only time the Thunderer was printed using drool.