Hell’s Fury(*) is a two man show about Hanns Eisler conceived and created by Tim Albery. It’s focussed on his time in the United States and, somewhat, on his return to the DDR. It combines songs from the Hollywood Songbook (poems by Brecht and others set by Eisler), dialogue and projections to tell the story of Eisler’s arrival in Hollywood, his work in the US, his deportation as a result of the “work” of the House Un-American Activities Committee and his return to the GDR and struggles to come to terms with the Stalinist culturecrats leading ultimately to drink, depression and death.
So it’s early November and a recital titled Songs of Remembrance. One might of expected something like the program Chris Maltman presented just down Philosophers’ Walk last year but no, Monica Whicher and Rachel Andrist’s program was gentler. Dare we say “more feminine”? This concert was about remembrance of childhood and love; happy and not so happy. Framed by Roger Quilter’s settings of Blake we got two “concocted cycles” drawn from very diverse sources; English, French and German texts; art song and popular song; composers from Schubert to Richard Rogers and Hans Eisler. It was effective.
I guess it’s a good thing when one’s emotional and intellectual reactions to a program threaten to overwhelm one’s ability to listen analytically and evaluate. That’s what art is for isn’t it? Anyway that’s pretty much what happened to me today listening to a program called Songs of Love and War in the Richard Bradshaw Amphitheatre. The songs were all pieces more or less inspired by the catastrophes of the first half of the twentieth century; the wars, the rise of Nazi power, the occupation of France. These are all events that have many layers of meaning for me. I have studied them and the music and literature they generated for decades. I have known, often well, people who played roles in these events. I have deeply held views. You have been warned!