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About operaramblings

Toronto based lover of opera, art song, related music and all forms of theatre.

Music to wallow in?

verklartenachtNo, not Flanders and Swann but rather a well constructed new recording from Edward Gardner and the BBC Symphony Orchestra.  It contains music by four composers exemplifying that lush territory that lies emotionally, if not always temporally, between Wagner and the Second Vienna School.  The two central works were both inspired by Richard Dehmel’s Verklärte Nacht.  The first is a 1901 setting of the text for mezzo, tenor and orchestra by Oskar Fried.  It’s lushly scored and rather beautiful.  The sound world is not dissimilar to Schoenberg’s Gurrelieder.  Gardner gets a lovely sound from his players and some really gorgeous singing from Christine Rice and Stuart Skelton.  The second Verklärte Nacht is the more familiar Schoenberg piece for string orchestra.  It’s curious how without voices and with only strings it manages to sound almost as lush as the Fried.

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Performing Arts Digital Lab update

Yesterday the COC hosted an update session on the Digital Stage initiative and one of its key components; the Performing Arts Digital Lab  (PADL).  This is a joint project of the COC and the National Ballet) and yesterday’s update curiously coincided with the Federal Heritage department announcing major funding for the next stage of PADL.  I’m not going to report on the update in detail because all the materials and the session itself will be archived at coc.ca/digitalstage.  (All the stuff prior to yesterday is already there but yesterday’s material wasn’t at time of writing)

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Into March

groundhogPickings are still decidedly slim in terms of locally created on-line content with many postponements due to the current lockdown in Toronto.  What I have lined up is as follows:

  • The UoT Opera Student Composer Collective’s annual show is being streamed at 2.30pm on Sunday 21st February.  This year it’s called Escape Room and it’s a comedy with a scenario of characters trapped in a darkened room with no memory of how they got there.  It’s being streamed via Zoom and preregistration at this link is required.
  • The COC has a roundtable on Gender and Opera on its Youtube channel on March 5th at 7pm.
  • Confluence Concerts are offering a tribute to John Beckwith; specifically his songs, on March 7th at 2pm, 5pm and 8pm.  That’s on Confluence’s Youtube channel.
  • Tapestry have two shows coming up on their Youtube channel.  March 6th at 8pm sees Mireille Asselin and guests perform a range of works celebrating their French heritage.  Then on March 27th at 8pm Morgan-Paige Melbourne performs Where Do I Go?; an intriguing looking mixture of piano and dance.

There’s also new short but fun content on the appropriate Youtube channels from Opera Revue, Alexander Hajek and Domoney Artists.

Do check to make sure that there aren’t further changes before planning your life around these events!

Cavalli at the court of Louis XIV

Cavalli’s Ercole Amante is an oddity.  It was intended as a wedding present from Cardinal Mazarin to Louis XIV but got hijacked by Lully who inserted a bunch of ballets for the king to dance stretching out the piece to something like six hours.  It wasn’t a great success.  It’s also a very odd story for a piece intended for a royal patron as I explained in reviewing an earlier recording.  It’s also in Italian which may make the only French court work to be performed in that language.

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Fidelio 1806

There were, of course, many Beethoven 250 events planned for 2020 and few of them happened.  One, planned for Vienna, was to stage all three versions of Beethoven’s only opera; Leonore (1805), Fidelio (1806) and the final form that modern audiences mostly know, Fidelio (1814).  As far as I know the only one that went ahead was a production of the 1806 version at the Theater an der Wien that was filmed in an empty house and has just got a release on Blu-ray and DVD.  Now, it happens that the 1805 Leonore was staged and recorded by Lafayette Opera in New York the year before.  So we can look at all three versions and the evolution of the piece despite the Vienna cancellations.  For those who want more details on the New York production, it was reviewed by Patrick Dillon in the summer 2020 edition of Opera Canada and there will be a review, by myself, of the recording in a future edition (probably soon).

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Poppies are monocarpic

crean, rossa -the priestess of morphine - front cover xs517x517_2xThe Priestess of Morphine is a new short opera with music by Rosśa Crean to a libretto by Aiden K. Feltkamp.  It deals, allusively, with the life of German writer Gertrud Günther who, under the name of Marie-Madeleine was a best selling author of erotic fiction and poetry.  She was also Jewish, a lesbian and an opium addict.  She died rather mysteriously at a sanatorium in Katzenelnbogen in 1944; her work having been denounced as degenerate and banned by the Nazis.

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Good news for once!

I found out yesterday that Vancouver based composer Jeffrey Ryan has won the 2021 Art Song Prize from the National Association of Singing Teachers (a US based body) for his song cycle Everything Already Lost.  This is believed to be a first for a Canadian composer.  Now, readers with good memories might recall that I was decidedly impressed by Ryan’s Miss Carr in Seven Scenes which was the 2018 CASP commission so, obviously, I was keen to check out the new work.

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Voices off

I’ve seen Francis Poulenc’s monodrama La voix humaine many times and always find it troubling despite that the fact that it is often a vehicle for rather good performances.  I was intrigued then by VOICEBOX’ decision to present alongside the Jean Cocteau play on which the opera is based.  It really helped me get to grips with what I find uncomfortable about the work.

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Another pandemic

yiddishglorypandemicBack in 2018 I wrote about the Yiddish Glory project including a concert at Koerner Hall and a CD.  Well, Anna Shternshis and her team are back with more music from the ghettos, in particular Pechora Camp in Transnistria.  This time it’s themed around the typhus epidemic of 1941/2 and the impact it had on the camp’s inmates.  The music and accompanying narrative feature in a short but interesting Youtube video.  There’s dark humour here especially in the song I’m a Typhus Louse which personifies the disease in a way that’s curiously similar to Spitting Image‘s portrayal of COVID.  Like most Holocaust related material it’s not easy to watch but it’s a compelling story with interesting music which is beautifully and wittily performed.  The filming is rather good too and the technical quality is excellent.  All the performers are fully credited on the video so I’ll not duplicate that information here.

On-line roundup

Music-for-Self-Isolation_Horvat-620x670Ontario’s state of emergency seems to have slowed the production of on-line content to a trickle.  The only new things I’ve seen recently are from the ever reliable Opera Revue and Alexander Hajek.

Opera Revue’s eighth isolation production features five pieces from Frank Horvat’s Music for Self Isolation; a set of thirty one short pieces for one or two musicians written last spring.  The concert features the five pieces with a vocal part.  I have to say I liked the texts; taken from various sources, more than the music.  The music is sort of “singer sonwriterish”; simple, tonal, melodic, a bit repetitive.  It’s fine of its type but it’s not my bag.  Performances by various combos of sopranos Emily Ding and Dani Friesen, pianist Claire Harris and guitarist Michael McKenzie are very nice though and the recording; despite being done via Zoom, is perfectly acceptable.  The music may not be entirely my thing but I’m delighted that someone is doing projects like this.  You can find it on Opera Revue’s channel on Youtube.

Alex Hajek’s contribution is another intriguing Toronto based film this time featuring Der Doppelgänger from Scubert’s Schwanengesang.  It’s beautiful to look at and beautiful to listen to and, again, featurers Claire Harris on piano as well as Alex’ lovely baritone.  This one’s on Youtube too.  The channel is Alexander Hajek.