Late June

danikalA couple more things coming up this month.

  • June 17th/18th/19th Toronto Operetta Theatre are presenting Oscar Straus’ A Waltz Dream at the St. Lawrence Centre for the Arts.
  • June 19th at 4.30pm Opera Revue have a Father’s day show at the Emmett Ray.
  • June 24th the Happenstancers have a concert at 918 Bathurst.  It’s Pierrot themed with Danika Loren singing the obvious Schoenberg work plus moon themed music by Saariaho, Sokolovic and the Saskatchewan Songbird herself.  One not to miss IMHO
  • June 25th at Crow’s theatre Soundstreams are presenting Noam Bierstone and guests in Percussion Theatre. It’s described as “a curated concert experience exploring the concept of instrumental theatre: the music doesn’t just accompany an action, the music is the action”

Found Frozen

CMCCD 30222_Found Frozen_Album CoverFound Frozen is a new CD from Centrediscs featuring songs by Jeffrey Ryan.  The centrepiece of the disc is his Miss Carr in Seven Scenes.  It’s a setting of extracts from Emily Carr’s notebooks for mezzo-soprano and piano performed here by Krisztina Szabó and Steven Philcox.  I’ve heard them do the piece twice live, including the premier, and I really don’t have much to add to what I wrote then.  It’s a terrific piece.

The first set on the disc though is Found Frozen.  It’s a setting of three poems by Helen Hunt Jackson about Death and Remembrance.  It’s scored for soprano and piano and sits quite high much of the time.  The piano part is busy and somewhat minimalistic.  It’s sung by Danika Lorèn with Steven Philcox again at the piano.  It’s very good singing indeed.  There are long sustained notes that are navigated with aplomb and her diction is excellent, even in the very high passages.

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FirstFigSongbook

To Heliconian Hall last night for a short concert of songs by Danika Lorèn.  It was thoroughly enjoyable.  The songs were split up into sets of one or two and sung/accompanied by UoT grad students.  The standard of performance was pretty decent but it was very noticeable that when Danika and Stéphane Mayer inserted themselves into the proceedings everything got turned up a couple of notches.  As Danika said to me “not a student anymore” while hinting at a significant numerological event.

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The gang minus the composer

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Looking ahead to February

dlorenFebruary always seems to be a busy month and the first half is shaping up that way.  Things kick off on the 1st with the Sellars staging of di Lassus’ Lagrime di San Pietro at Koerner.  On the 3rd Danika Lorèn is curating a concert at Heliconian for UoT Music.  It’s called A Few Figs from Thistles, it’s at 7.30pm and it’s free.  We are promised new songs by Danika based on poems by Edna St. Vincent Millay, Tekahionwake (E. Pauline Johnson) and Lorna Crozier.

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What’s old is new

Back to the Tranzac last night for the first Toronto performance of Against the Grain’s national tour of the Joel Ivany transladaptation of Puccini’s La Bohème which started it all back in 2011.  The Tranzac has changed a lot and so, of course, has Against the Grain.  The room is way smarter, they brought in a proper piano to replace the one that Topher plonked the first performance out on (and which memorably accompanied Jonathan MacArthur’s rather startling Hitler a few years later).  And not in any way to knock that first cast it’s a sign of AtG’s rising stature that this time they are fielding a cast that would not be out of place in most regional houses in Canada.

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Collectìf – Beyond Perception

Collectìf’s latest show for the Toronto Summer Music Festival at Walter Hall last night was called Beyond Perception: What Haunts Us Now.  It presented three new multimedia works each curated and directed by one of the trio of singers.  The first piece, by Whitney O’Hearne featured arrangements of French works; both folk and classical that deal with the idea of La Dame Blanche; by turns sorceress or virgin bride.  Turning the idea of male defined female transgression upside down to celebrate women’s agency, O’Hearn combined arrangements of the chosen music for combinations of three voices and piano with soft focus atmospheric video rather reminiscent of Collectìf’s Winterreise show at Heliconian Hall.  The singing was beautiful and the concept intriguing.  Top notch accompaniment by Trevor Chartrand.

DSCF0267-Gord Fulton

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Bon Appétit

Muse 9 Production’s new show Bon Appétit: A Musical Tasting Menu couples three short operas about food and was, appropriately enough, presented at Merchants of Green Coffee on Matilda Street.  Perhaps “opera” isn’t the right term as, although each piece was fully staged, they featured only one singer each.  “Opera” or “staged song”?  I don’t really care as they were fun.

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From the Depths

Stéphane Mayer’s Les Adieux recital yesterday in the Richard Bradshaw Amphitheatre was definitely out of the ordinary.  Rather than a concert or recital format we got a fully staged and costumed version of two Oscar Wilde related works.  First up was Saint Saëns’ version of The Nightingale and the Rose with Matt Pilipiak reading the story, Danika Lorèn as the Nightingale and Stéphane at the piano.  It was well done and a reminder of what a truly lovely voice Danika has.

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A Few of Liz Upchurch’s Favourite Things

Liz Upchurch has now been head of the COC Ensemble Studio for twenty years.  To put that in perspective, Alain Coulombe was an Ensemble Studio member back then.  So Liz has deeply influenced a whole generation of Canadian singers and it was fitting that there should be a concert in her honour in the Richard Bradshaw Amphitheatre.  It’s named for the man who brought her to the COC and it’s been the venue for countless concerts by the Mama Bear’s cubs.

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Sirènes

sirenes cover smallSirènes is an album of pieces by Montreal composer Ana Sokolović.  The first pice, which gives the album its title, is written for six unaccompanied female voices.  It’s performed here by the vocal ensemble of Queen of Puddings Music Theatre conducted by Dáirine Ní Mheadhra. The six ladies in question are Danika Lorèn, Shannon Mercer, Magali Simard-Galdès, Caitlin Wood, Andrea Ludwig, and Krisztina Szabó.  It’s an interesting piece and very Sokolović.  The text is bent and twisted into sound fragments which are “sung” using an array of extended vocal techniques.  The overall effect is of a shimmering, fluttery and quite absorbing sound world.

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