The Canadian Opera Company issued its Annual Report and Financials for 2015/16 today. As far as ticket sales go it was fairly flat in terms of tickets sold and revenues. Subscription sales were down a bit but single ticket sales were up. That’s probably the Carmen effect. That all equates to around 91% capacity sold which isn’t bad. Tickets to people under 30 are still less than 10% of tickets sold (and probably way, way less than 10% of box office revenue). Clearly there’s no magic bullet for replacing an aging subscriber base. Individual donations and government grants were both down by about 5%. That’s being spun as largely a loss of one time grants and extraordinary gifts but down is still down and the reduction in Ontario Arts Council funding can’t be spun. Still, one way or another it was finagled into a break even year which is not too shabby for any arts organization. Endowment performance was steady.
It’s a good product on the stage. The programming is about as adventurous as one could expect from a large house with minimal government funding. There is no financial crisis or signs of impending doom. I’ll take that.
Considering we begin with a holiday weekend it’s a busy week. Tuesday sees Dimitry Ivashchenko and Rachel Andrist in recital in the RBA at lunchtime with a program of Russian song that, inevitably, includes Mussorgsky’s Songs and Dances of Death and works by Rachmaninov, Borodin, and Tchaikovsky. At 7.30pm that evening Christina Haldane is giving a DMA recital in Walter Hall. This isn’t your usual student gig. Christina has covered at Salzburg and the Royal Opera and made main stage appearances in several European countries. Both recitals are free.
VOICEBOX:Opera in Concert has announced details of their upcoming season. There are four shows:
Things are still a bit slow on the Toronto opera front. That said, today Soup Can Theatre are doing a concert version of The threepenny Opera at the Monarch Tavern. Three actors; Christine Jeffries, Sarah Thorpe and Scott Garland, will sing all the roles. There are three performances at 4pm, 6.30pm and 9pm. Tickets are $13. More details at 
By an odd coincidence two season announcement pressers hit my in box today; Toronto Operetta Theatre and Les Ballets Trockadero de Monte Carlo. Toronto Operetta Theatre have four shows:
The lunchtime concert series in the Richard Bradshaw Amphitheatre kicks off on Tuesday with the traditional opener; a concert by the members of the COC Ensemble Studio. It’s always a good opportunity to level set for the season ahead. Noon in the RBA. Then on Wednesday and Thursday at 8pm the TSO are doing Mahler 3 with Jamie Barton as soloist. I was tremendously impressed with 
This looks like the week the season really starts. The big event is the season opener at the TSO on Wednesday where Renée Fleming is featured. There’s Ravel’s Shéhérazade plus Puccini, Walton and others finishing up with three numbers from The King and I. This one’s at Roy Thomson Hall at the slightly unusual time of 7pm. The next night at the Alliance Française there’s a show called Singing Stars of Tomorrow. It features ten young singers who will have been engaged in a day long workshop with Sondra Radvanovsky. It’s organised by the IRCPA. Tickets are $25 from 
A bunch of announcements today; most of them from Against the Grain Theatre. The big one I suppose is the announcement of a formal arrangement with the COC which sees a two year “company in residence” arrangement whereby AtG will be based at the COC’s Front Street offices and where COC execs will mentor their AtG equivalents. The relationship has been going on for a while so it’s not terribly surprising that they have decided to shack up together.
Toronto Masque Theatre have announced their 2016/17 season. There are two main stage productions and three salon concerts. First of the main stage shows is a double bill of Handel’s dramatic cantata Apollo and Daphne with Jacqueline Woodley and Geoffrey Sirett and dancer Stéphaie Brochard, directed and choreographed by Marie-Nathalie Lacoursière paired with Richard Strauss’s Enoch Arden based on the epic poem by Tennyson, performed by actor Derek Boyes and pianist Angela Park. This one is at 8:00 pm on November 17th, 18th and 19th with a pre-show event at 7:15 pm each evening at the Enoch Turner Schoolhouse.
operaramblings 