The next couple of weeks

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Yes, I know that’s not Marjorie…

I’m out of town for the first week of November or so so this week’s preview will actually cover two weeks.  Lots of endings coming up with the last OA Dido and Aeneas this afternoon and the COC’s fall season closing with Ariodante on Thursday and Norma on Friday.  There’s also Centre Stage on Wednesday.  I shall be curious to see what people think.

On to next weekend and there are a couple of items of interest.  Saturday at 7.30pm and Sunday at 3pm at Grace Church on the Hill Bicycle Opera Project are collaborating with Pax Christi Chorale in performances of Mendelssohn’s Elijah.  Here’s the blurb:

In this unique presentation of a classic oratorio, Bicycle Opera’s singers will shed formal concert format in favour of a dramatic exploration of Elijah, while staying true to our intimate and accessible style.

Soloists are Geoff Sirett, Chris Enns, Marjorie Maltais and Larissa Koniuk.

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Adled

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Aria with Maika’i Nash and Rachel Krehm. Photo – Denise Grant

Last time I spoke to Opera 5’s Aria Umezawa she was about to head off to San Francisco to join SFO’s Merola program.  Now she’s been named as an Adler Fellow for 2017; the first stage director since 2002 to be named to the program.  She’ll be joined by pianist/coach Jennifer Szeto, also of this parish, and another Canadian; Vancouver soprano Sarah Cambridge.  I have greatly enjoyed Aria’s work with Opera 5 and hope that this is a step on the road to a major career as an opera director.  The full story on this year’s Adlers is here.

And now for something completely a bit different

pa_10-29-2016_lubana-al-quntar_800x450Saturday at 8pm the Aga Khan Museum there’s a concert fusing western classical and Arabic maqam music.  The featured artists are opera singer (Syria’s first) Lubana Al Quntar and composer and oud virtuoso Issam Rafea.  I do feel this is the sort of thing we need more of in Toronto.  There have been some interesting fusions of western and Chinese classical such as The Legend of Da Ji.  Let’s see what this one can offer.  You may even be able to see the show for free.  The organisers have offered a lucky Operaramblings reader a pair of tickets.  If you would like to enter the draw, comment here with contact details.  We’ll do the draw at 5pm on Thursday.  If you prefer to buy a ticket, details are here.

Next week

nathaliepaulin_365sq.jpgThe Mazzoleni Songmasters series opens this afternoon at 2pm in, surprise, Mazzoleni Hall at the conservatory.  Nathalie Paulin and Monica Whicher present Welcome and Adieu; a program of English and French songs and duets.  Collaborative pianists are Robert Kortgaard and Peter Tiefenbach.

Tuesday at noon in the RBA sees the students of UoT Opera present an all Mozart program. It’s semi staged and the program is duets and ensemble numbers so not your usual fare.  Free of course but probably one one will need to arrive early for.

Norma and Ariodante continue at the COC as does Dido and Aeneas at Opera Atelier.

 

New announcements

Tapestry have announced casting for Naomi’s Road.   The cast includes two members of the original cast; Sam Chung as Stephen, Naomi’s musical younger brother and baritone Sung Taek Chung as Daddy.  They will be joined by soprano Hiather Darnel-Kadonaga as 9-year-old Naomi and mezzo-soprano Erica Iris Huang as Mother/Obasan.  Tickets are now on sale here.

lizkNovember 14th will see the fourth annual Elizabeth Krehm Memorial Concert. The concert raises money for the St Michael’s Hospital ICU, where Liz spent the last 30 days of her life. This year the program will start with the Bach Double Violin Concerto; a piece played by Liz. It will be performed by Yosuke Kawasaki and Jessica Linnebach, who are the concert master and associate concert master of the National Arts Centre Orchestra in Ottawa. Rachel Krehm will be singing 2 arias and a song by Mozart, Dvorak and Strauss. Finally we will get Beethoven’s Eroica Symphony. Evan Mitchell will conduct a volunteer orchestra. As well as being in aid of a good cause these memorial concerts have featured exceptionally good performances and are definitely worth going to.  It’s at Metropolitan United Church (56 Queen St E) on Monday November 14th at 7:30pm. Admission is by donation to St. Mike’s with a suggested minimum of $20.

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Participants for Centre Stage announced

The seven finalists for the COC’s Centre Stage have been announced.  Centre Stage is a singing competition and gals that serves as a sort of final audition for the following year’s Ensemble Studio, a contest for cash prizes and a beano for the rich.  This year it’s being held on November 3rd when, unfortunately, I shall be overseas.  So, no report here.  The finalists are baritone Samuel Chan (Calgary); soprano Maria Lacey (St. John’s, N.L.); soprano Myriam Leblanc (Saint-Lazare, Que.); soprano Andrea Lett (Prince Albert, Sask.); mezzo-soprano Simone McIntosh(Vancouver); soprano Andrea Núñez (Markham, Ont.); and baritone Geoffrey Schellenberg (Vancouver).

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Last year’s contestants with the Lieutenant Governor

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Steady as she goes

1516cocThe Canadian Opera Company issued its Annual Report and Financials for 2015/16 today.  As far as ticket sales go it was fairly flat in terms of tickets sold and revenues.  Subscription sales were down a bit but single ticket sales were up.  That’s probably the Carmen effect.  That all equates to around 91% capacity sold which isn’t bad.  Tickets to people under 30 are still less than 10% of tickets sold (and probably way, way less than 10% of box office revenue).  Clearly there’s no magic bullet for replacing an aging subscriber base.  Individual donations and government grants were both down by about 5%.  That’s being spun as largely a loss of one time grants and extraordinary gifts but down is still down and the reduction in Ontario Arts Council funding can’t be spun.  Still, one way or another it was finagled into a break even year which is not too shabby for any arts organization.  Endowment performance was steady.

It’s a good product on the stage.  The programming is about as adventurous as one could expect from a large house with minimal government funding.  There is no financial crisis or signs of impending doom.  I’ll take that.

 

The week in prospect and other news

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There’s a lot on today.  Handel’s Ariodante opens at the COC at 2.30pm.  There’s also a concert featuring Russell Braun with the Amici Ensemble at 3pm in the Mazzoleni Concert Hall at the Conservatory.  The Elmer Iseler Singers and the Toronto Mendelssohn Choir also have concerts.  Thursday sees the opening of Purcell’s Dido and Aeneas at Opera Atelier with Wallis Giunta and Chris Enns as the lovers which promises both eye and ear candy.  That’s at the Elgin at 7.30pm.  Then on Saturday there’s Singing Stars of Tomorrow, the result of a Sondra Radvanovsky intensive, at the Alliance Française at 7.30 pm.  The line up is Valerie Belanger,soprano; Stephanie De Ciantis, soprano; Natalya Gennadi, soprano; Beth Hagerman, soprano; Jessica Scarlato, soprano; Sara Schabas, soprano; Caitlin Wood, soprano; Danielle MacMillan, mezzo-soprano; Marjorie Maltais, mezzo-soprano; Asitha Tennekoon, tenor.  Quite a mix, from people I’ve never heard of to one who has already made her COC debut.

In other news, the COC and Show One Productions have announced a gala concert to take place at the Four Seasons Centre on April 25th next year.  It’s billed (modestly) as Trio Magnifico: The Ultimate Opera Gala and the big draw is the Canadian debut of Anna Netrebko.  She will appear with  her husband tenor Yusif Eyazov and baritone Dmitri Hvorostovsky.  They will be accompanied by the COC Orchestra conducted by Jader Bignamini.  Given that Dima alone turned Koerner Hall into a frenzy of screaming Russian grannies, this could get interesting.

The week in prospect

christinaport3Considering we begin with a holiday weekend it’s a busy week.  Tuesday sees Dimitry Ivashchenko and Rachel Andrist in recital in the RBA at lunchtime with a program of Russian song that, inevitably, includes Mussorgsky’s Songs and Dances of Death and works by Rachmaninov, Borodin, and Tchaikovsky.  At 7.30pm that evening Christina Haldane is giving a DMA recital in Walter Hall.  This isn’t your usual student gig.  Christina has covered at Salzburg and the Royal Opera and made main stage appearances in several European countries.  Both recitals are free.

On Wednesday Soundstreams have a concert called Magic Flutes with a series of contemporary pieces featuring five flute virtuosi, harp, viola, a bunch of percussion and Carla Huhtanen.  It’s at 8pm at Koerner Hall.  Further details.

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Voicebox: Opera in Concert 2016/17

engraving_for_the_opera_l_isola_disabitata_by_goldoni_and_scarlatti_1753VOICEBOX:Opera in Concert has announced details of their upcoming season.  There are four shows:

  • October 30th sees Shakespeare 400, featuring music using and inspired by Shakespeare’s texts.  Solists are Michael Nyby, Holly Chaplin, Gena van Oosten, Diego Catalá, Stephanie Kallay, Anthony Rodrigues and Mikhail Shemet witrh pianist Narmina Afandiyeva and chorus.
  • On November 20th it’s more bard (sort of) with Bellini’s I Capulet e i Montecchi.  Anita Krause sings Romeo, Caitlin Wood is Juliet and Tonatiuh Abrego plays Tybalt with Raisa Nakhmanovich at the piano.
  • Onto the new year and it’s Haydn’s L’isola disabitata on February 5th.  This, for me, is the one to go for.  Haydn’s operas are greatly underrated and this is the piece that gets Kevin Mallon and the Aradias in the pit rather than just piano.  The cast includes Valérie Bélanger, Marjorie Maltais and Alexander Dobson.
  • The season finishes up with Mussorgsky’s epic Khovanshchina, presumably in much reduced form.  Voicebox:OIC Sunday afternoons rarely run much over two hours and Khovanshchina is well over three.  The soloists include Emilia Boteva, Andrey Andreychik and Dion Mazerolle with Narmina Afandiyeva at the piano.

All performances are at 2.30pm in the St. Lawrence Centre’s Jane Mallett Theatre.