Ringing in the New

marion_portrait_2015_1pWell the holidays are over and the music scene is coming back to life from its seasonal diet of musical plum pudding.  There’s not a lot on this week but there is the first vocal concert of the year in the Richard Bradshaw Amphitheatre.  Mezzo-soprano Marion Newman will be joined by Kathleen Kajioka (violin) and Adam Sherkin (piano)in a programme of Canadian works exploring First Nations themes.  It includes Dustin Peters’ song cycle, Echo|Sap’a, which explores the journey of The Echo (or Sap’a in Kwakwala), a para-natural entity that mimics the sounds and movements she encounters throughout the woods and waters, as well as Kinanu, a lullaby composed by Newman for her baby sister.  Noon, of course, and free.

Later on Thursday, at 9pm to be precise, there’s AtG’s first Opera Pub Night of the year featuring beer, singers and a Craig’s list piano.  It’s at the Amsterdam Bicycle Club on the Esplanade and I strongly recommend arriving early.

Over the holidays

raccoon-on-snowAs things will soon slow down for the holidays I am going to do one listings post from now through to the New Year.  There are of course still the TSO and Tafelmusik Messiahs.  There are also holiday concerts at Roy Thomson Hall.  New Year’s Eve sees an opera pops concert conducted by Marco Guidarini while on New Year’s Day there’s a Vienna themed extravaganza with Matthias Fletzberger conducting.

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The news from FAWN

As promised, I’m passing on the news I missed at FAWN the other night.  Basically, in addition to the Anna Höstman project the news concerns the further development of the Synesthesia IV project which seeks to to find a composer to develop a ballet-lyrique with FAWN.  So following on from Synesthesia IV part 1, three composers;  David StorenJoseph Glaser and Kit Van Soden, have been selected to join FAWN for the next stage of the project: a one week improvisation workshop, during which they will work with FAWN Artistic Director and Resident Stage Director Amanda Smith, FAWN Artistic Associate Jonathan MacArthur (tenor) and dancer/choreographer Jennifer Nichols. The purpose of the workshop will be to create material through improvisation, which the composers can then use as they each write one short opera for Synesthesia IV pt. II. FAWN will present these works during their 2017/18 season.

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Next week

uglyMessiah season gets underway with Soundstreams’ Electric Messiah on Monday.  On Wednesday night, Opera 5 have a seasonal fundraiser at the Extension Room including an ugly sweater comp (Greg Finney at very short odds).  Then on Saturday owing to bizarre scheduling you can take your pick from the ROH’s Così at Bloor Hot Docs or the Met’s L’Amour de Loin at just about any Cineplex Odeon.  Both essentially at lunchtime, for some value of lunchtime.

Hallelujah!

brianIt’s that time of year when one ponders the vexed question of how many Messiahs, and which ones, one is going to see this year.  For Torontonians there seem to be four principal contenders; two fairly conventional and two less so.  At the conventional end of things there’s the TSO of course.  This year it’s back to the usual performing edition though fans of Sir Andrew’s “Big Fat Messiah” as heard last year can now acquire it on CD from the Chandos label.  Baroque specialist Nicholas McGegan conducts so it’s probably as close to HIP as the TSO are ever going to get.  Soloists are Yulia Van Doren, Abigail Levis, Isaiah Bell and Daniel Okulitch.  I’m not familiar with either of the ladies but the guys are top notch.  As ever the orchestra will be joined by the Toronto Mendelssohn Choir.  There are five performances at Roy Thomson Hall on the 18th at 3pm and the 19th, 20th, 21st and 23rd at 8pm.

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The best laid plans

So last night I intended to catch both the FAWN fundraiser/announcement gig at Electric Perfume and AtG’s opera pub night.  I figured I could spend an hour up on the Danforth and still hit the Esplanade soon after the start at 9pm.  The first part went fine.  I saw a most enjoyable performance by Adam Scime of Kurtàg’s Message Consolation with some lovely movement work on the floor by Jenn Nichols.  Also I was there long enough to hear Adanya Dunn and Katherine Watson do Anna Höstman’s Children’s Paradise for soprano and flute.  There was news too that FAWN is working with Anna on a new full scale opera for some time in the future.  I had to leave before the rest of the announcements but I’ll pass the news on when I get it.

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Upcoming opera in cinemas

Bloor Hot Docs, after something of a hiatus, is showing three Royal Opera House productions in December.  Here’s the schedule:

Saturday, December 3, 12:00 PM Norma (directed by La Fura dels Baus’ Alex Olle) with Sonya Yoncheva in the title role. It was described as “striking and perverse” by The Guardian.  Sonia Ganassi is Adalgisa with Joseph Calleja as Pollione. Antonio Pappano conducts. More info.

Saturday, December 10, 11:00 AM Cosi fan tutte directed by  Jan Phillip Gloger, conducted by Semyon Bychkov. With Angela Brower (Dorabella), Corinne Winters (Fiordiligi), Daniel Behle (Ferrando), Alessio Arduini (Guiglielmo)  Looks like an updated “theatre in theatre” production. More info.

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Moving into December

rusNext week is a bit quiet.  The lull before Messiah madness perhaps  There are though three shows on Thursday December 1st.  You can see soprano Chelsea Rus in recital with Marie-Ève Scarfone at lunchtime in the RBA.  She will be performing the program that won her the inaugural Wirth Vocal Prize at the Schulich School of Music at McGill.

In the evening FAWN Chamber Creative has a “drop in style event” and fundraiser where they will be announcing their plans for Synesthesia IV.  There will also be performances by Jenn Nicholls, Adam Scime and Adanya Dunn among others.  It’s at Electric Perfume on the Danforth at 7.30pm and 9pm.  PWYC.  Details.

Also, as the 1st is the first Thursday of the month it will be Pub Night with Against the Grain at the Amsterdam Bicycle Club.  That doesn’t start until 9pm so one could just about catch the first set at Electric Perfume and then head down to The Esplanade.

This week

5720421dc9-jpgToday at 2.30pm Voicebox:Opera in Concert are performing Bellini’s I Capuleti e i Montecchi.  It’s Bellini’s take on Bandello rather than Shakespeare, not a lot happens and the orchestral music is ho hum so a semistaged version with piano isn’t a bad bet if the singing is good.  Juliet is the up and coming Caitlin Wood.  Romeo, on whom much depends, is Anita Krause.  It’s at the St. Lawrence Centre for the Arts.

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Ambur Braid is Oksana G.

So finally we have dates and casting for the long awaited Oksana G (music Aaron Gervais, libretto Colleen Murphy) from Tapestry Opera.  This one has been years in the making.  Back when I saw the second act workshop in 2012 there were all kinds of rumours about who would eventually (co)produce it.  Now it looks like Tapestry have come up the resources to do it as a standalone.  That’s no mean feat as this is a full blown two acter with orchestra and chorus.  It will play May 24th – 30th, 2017, at the Imperial Oil Opera Theatre of the Canadian Opera Company, 227 Front St. E. (just around the corner from the Kitten Kondo) and the title role will be played by Operaramblings’ favourite crazy lady Ambur Braid.  As she showed recently as Dalinda in the COC’s Ariodante she’s now much more than a series of impressive high notes.  She’s become a singing actress of real substance and Oksana is certainly a role a girl could get her teeth into.  The rest of the casting is also impressive with the always impressive Krisztina Szabó as Oksana’s mother, Adam Fisher as Father Alexander, and Keith Klassen as the baddy Konstantin.  Jordan de Souza conducts and Tom Diamond directs.  This is one not to miss!

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Photo Credit: Jennifer Toole