Unpacking Pandora

We went to see the opening performance of FAWN Chamber Creative’s new show Pandora at Geary Lane last night.  There’s a lot to like but it’s a dense and in some ways confusing show so I’d suggest that if you plan to go you do your homework.  So, don’t expect anything closely related to any of the many versions of the Greek legend.  That’s just a jumping off point to explain how both evil/malice and hope came into the world.  A very brief prologue in which a character discovers Pandora’s box (or jar or whatever) after centuries and releases Hope into the world sets up three scenes which each, in their own way, reflect the duality of Good/Evil, Despair/Hope or however you want to characterise it.  I strongly suggest reading the Director’s Notes and the Libretto before the show to understand what the three scenes are and where the transitions are.  There are no surtitles (money!) and not many of us can read a printed libretto in the dark.  Also, cast members change character sometimes without change of costume.  It’s helpful to know when that’s happening!  While there’s only one librettist, David James Brock, there are three composers but stylistic differences between them aren’t so obvious that one realises there has been a transition.

_DSC8799

Continue reading

The news from FAWN

As promised, I’m passing on the news I missed at FAWN the other night.  Basically, in addition to the Anna Höstman project the news concerns the further development of the Synesthesia IV project which seeks to to find a composer to develop a ballet-lyrique with FAWN.  So following on from Synesthesia IV part 1, three composers;  David StorenJoseph Glaser and Kit Van Soden, have been selected to join FAWN for the next stage of the project: a one week improvisation workshop, during which they will work with FAWN Artistic Director and Resident Stage Director Amanda Smith, FAWN Artistic Associate Jonathan MacArthur (tenor) and dancer/choreographer Jennifer Nichols. The purpose of the workshop will be to create material through improvisation, which the composers can then use as they each write one short opera for Synesthesia IV pt. II. FAWN will present these works during their 2017/18 season.

Continue reading

Synesthesia IV pt 1

Last night in an aerialist loft in the grittier part of the west end FAWN presented Synesthesia IV part 1.  Six short pieces by different composers were choreographed by Jenn Nichols and presented in an art installation by Kathryn Francis Warner.  It was an interesting and enjoyable show but it left me wondering how it was going to help select a composer for a future opera.  I may be old fashioned but I would want to hear how the composer wrote for voice before making that call and only two pieces last night did that.

synesthesia

Continue reading