As promised, I’m passing on the news I missed at FAWN the other night. Basically, in addition to the Anna Höstman project the news concerns the further development of the Synesthesia IV project which seeks to to find a composer to develop a ballet-lyrique with FAWN. So following on from Synesthesia IV part 1, three composers; David Storen, Joseph Glaser and Kit Van Soden, have been selected to join FAWN for the next stage of the project: a one week improvisation workshop, during which they will work with FAWN Artistic Director and Resident Stage Director Amanda Smith, FAWN Artistic Associate Jonathan MacArthur (tenor) and dancer/choreographer Jennifer Nichols. The purpose of the workshop will be to create material through improvisation, which the composers can then use as they each write one short opera for Synesthesia IV pt. II. FAWN will present these works during their 2017/18 season.
Last night in an aerialist loft in the grittier part of the west end FAWN presented Synesthesia IV part 1. Six short pieces by different composers were choreographed by Jenn Nichols and presented in an art installation by Kathryn Francis Warner. It was an interesting and enjoyable show but it left me wondering how it was going to help select a composer for a future opera. I may be old fashioned but I would want to hear how the composer wrote for voice before making that call and only two pieces last night did that.