To the intimate (i.e. tiny) Array Space last night for a concert by the Happenstancers who, in this iteration, consisted of Brad Cherwin – clarinet, Madlen Breckbill – viola and Micah Behr – piano. and, in the first number, viola.
Part 1 of the programme was called Dream Images and was intended to evoke the discontinuous and illogical. It began with Du Yun’s dreams-bend for taped speech, two violas and clarinet as a sort of intro to the main event. This consisted of Schumann’s Fairy Tale Narrations and Kurtág’s Hommage à R. Schumann; these being two of the very few works for clarinet, viola and piano. Added to these was a new work; Abstractions by Nahre Sol. The pieces were played with the movements in the right order but with the composers mixed up so, for example, the first four movements went Kurtág, Sol, Schumann, Kurtág and so on. I like this approach. The styles contrast. The Kurtág is spikey and dissonant, the Schumann structured and Romantic and the Sol playful, tonal (mostly) and rhythmically varied. Listening to them interspersed somehow focusses attention on their particular qualities and has a kind of focus that the conventional way of doing things doesn’t.
Last night the Happenstancers presented another intriguing concert of chamber music titled Chimaera. This time it was in the excellent hall at 918 Bathurst. It was a clever conceit. There were three “sets” with each consisting of two contrasting works that were combined in different ways.
operaramblings 