Late notice I guess but Adrianne Pieczonka and Rachel Andrist are performing Schubert’s Winterreise at Mazzoleni Hall this afternoon. It’s sold out anyway. Later, at 7.30pm, UoT Early Music is presenting a concert version of Purcell’s Fairy Queen in Trinity College Chapel. Tomorrow at the relatively unusual time of 5.30pm the members of the Ensemble Studio will be competing for the Quilico awards. That’s in the RBA and free. Also in the RBA, at noon on Tuesday, you can catch Andrew Haji singing a very varied Valentine’s Day program. Then on Thursday, same time, same place, Elena Tsallagova, Pamina in the COC’s current Magic Flute, presents a Russian and French program. The Magic Flute and Götterdämmerung continue at the COC.
Coming up this week
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Here’s a summary of the upcoming Toronto events I’ve been made aware of recently. Both the TSO and the RCM have announced their contemporary music festivals. 21C at the conservatory runs from May 24th to 28th. The opening concert features Johannes Debus with the COC Orchestra, Andrew Haji and Emily D’Angelo and the Elmer Iseler Singers. The program includes two pieces by Brian Current: his The Seven Heavenly Halls in its Ontario premiere and Nàaka (Northern Lights) its world premiere. The two works are part of a six movement work, entitled River of Light, which traces creation myths from six different cultures. This concert also includes works by Unsuk Chin, Samy Moussa and Matthew Aucoin. Then on the following night the Canadian Art Song Project has a concert of works by Canadian composers Andrew Staniland’s Peter Quince at the Clavier (Ontario premiere), Lloyd Burritt’s Moth Poem (Ontario premiere), and Ana Sokolović’s Dawn Always Begins in the Bones, CASP’s new commission to celebrate Canada 150. The singers, drawn from the COC Ensemble Studio will be Danika Lorèn (soprano), Emily D’Angelo (mezzo-soprano), Aaron Sheppard (tenor), Bruno Roy (baritone), Iain MacNeil (baritone), with Mélisande Sinsoulier and Liz Upchurch on piano. The Festival closes on May 28th with a Soundstreams concert; The Music of Unsuk Chin. The program includes her Cantatrix Sopranica, a playful exploration of the act of singing for two sopranos, countertenor, and ensemble featuring Carla Huhtanen, and “The Caterpillar,” an excerpt from her opera, Alice in Wonderland. Also included are two works by Chris Paul Harman; It’s All Forgotten Now (world premiere) and Love Locked Out. In between there’s lots more interesting looking instrumental stuff too. More details 
Hot on the heels of the RCM, the Toronto Symphony has announced its 2017/18 season, whih will be Peter Oundjian’s last as Music Director. There’s lots of sesquicentennial stuff of course but here’s a summary of the interesting vocal stuff (rock and roll and other children’s music omitted).
The Royal Conservatory has just announced its Koerner Hall line up for the 2017/18 season. There are 23 classical and 6 jazz concerts. This doesn’t include the Glenn Gould School or concerts in the RCM’s other halls. Highlights from a vocal point of view are as follows:
operaramblings 