CCOC 2017/18

monkiestThe Canadian Children’s Opera Company have announced their 50th anniversary season.  The big news is that the main production will be a new piece by Alice Ping Yee Ho and Marjorie Chan (the team behind The Lesson of Da Ji).  The new piece is called The Monkiest King and is based on the legendary (and comic book) character the Monkey King.  Like the earlier work it will fuse western opera and traditional Chinese music techniques and instruments.  It will play at the Lyric Theatre at the Toronto Centre for the Arts May 25-27 2018.

There is also going to be a celebratory concert hosted by Ben Heppner on October 26 2017 at the Four Seasons Centre.  Besides performances by the current CCOC there will be appearances from Richard Margison, Krisztina Szabó, Simone Osborne and Andrew Haji and a choir of CCOC alumni.

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Is it May already?

natdessYes it is and here’s what’s coming up.  Sadly Natalie Dessay’s Koerner gig tonight has been cancelled.  Get well soon and please come back!  Tomorrow at 8pm the TSO has a concert with Carla Huhtanen featuring Morawetz’ Carnival Overture, Boulez’ Le soleil des eaux and Rimsky-Korsakoff’s Scheherezade.  On Sunday Lyndsay Promane has a recital at 3pm at Islington United Church with works by Dowland, Faure, Schubert, Vaughan Williams and Strauss.  Admission is by donation

Next week there are a bunch of free concerts in the RBA at noon.  On Tuesday it’s Alysson McHardy and Rachel Andrist with a program of Schumann and Zemlinsky.  Wednesday sees Aaron Sheppard and Stéphane Mayer perform Finzi’s A Young Man’s Exhortation.  They will also be joined by Sam Pickett and Megan Quick.  Finally, on Thursday Lauren Eberwein, who is sounding really good recently, and members of the COC Orchestra will perform two J.S. Bach cantatas; Ich habe genug and Vergnügte Ruh.

Louis Riel and Tosca continue at the COC.

Opera 5’s Ethel Smyth double bill

SUFFDetails are now available for Opera 5’s double bill Suffragette featuring the works of Dame Ethel Smyth.  The show will feature two works; Fête Galante, a rather grim “dance dream”, in a somewhat Stravinskian style, and the feminist opera The Boatswain’s Mate, which makes extensive use of folksong tunes.  In her day Smythe tended to be written off by the critics for being too masculine so it will be interesting to see how the works have fared with time.

The cast features Sri Lankan tenor Asitha Tennekoon, mezzo-soprano Eugenia Dermentzis, soprano Alexandra Smither and tenor Kevin Myers. The show is being led by an all-women production team, headed by Opera 5 Production Manager and Stage Director, Jessica Derventzis (absolutely not to be confused with Dermentzis); Production Designer Erin Gerofsky; and Lighting Designer Jennifer Lennon. Evan Mitchell will conduct with a chamber orchestra performing composer-original reductions.

Suffragette will play at Theatre Passe Muraille, Mainspace – 16 Ryerson Ave, Toronto on June 22-24 at 7.30pm and June 25 at 6pm.

Tickets: At the door, online: www.opera5.ca/suffragettetix or phone: 416-504-7529.
More Info including complete cast and production team: www.opera5.ca/suffragette

Opera 5 have created some of the most interesting and innovative low budget opera in the city in the last few years so I would definitely recommend trying to see this show.

The Chocolate Soldier

Toronto Operetta Theatre’s current production is Oscar Straus’ The Chocolate Soldier in the English version.  It’s based on Shaw’s Arms and the Man but, as is usually the case with musical adaptations of Shaw, it’s rather less acerbic than the original.  In fact, it comes over as a somewhat farcical love story with a few gentle pot shots at the military and militarism.  There are some good comic lines and the music is tuneful and well crafted.

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Signal boosting

If you are planning to go to Soundstreams Unsuk Chin concert on May 28th, which should be very interesting, there’s a special ticket price offer.  Discount code OPERA20 will get you 20% off on-line ticket purchases which you can find here.  The centerpiece of the concert is Cantatrix Sopranica, a humorous exploration of opera styles across history, sung by Carla Huhtanen, Eve-Lyn de la Haye, and Scott Belluz.  Chin’s music is rather unusual so this could be quite an afternoon.

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A few additions

centurysongThere are a few things I didn’t mention in my back half of April post.  Century Song opened a couple of nights ago at Crow’s Theatre.  It’s a live performance hybrid, inspired in part by Virginia Woolf’s Orlando and Alice Walker’s In Search of Our Mother’s Gardens, Soprano Neema Bickersteth melds classical song (music by Sergei Rachmaninoff, Oliver Messiaen, John Cage, Georges Aperghis and Reza Jacobs) and movement to inhabit a century of women whose identities are contained within a single performer.  Details here.

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Season announcements

Bicycle Opera Project and Toronto Masque Theatre have announced plans for their upcoming seasons.  BOP will be touring Juliet Palmer and Anna Chatterton’s Sweat across Ontario in July and August (details in May).  It’s a work about sweatshop labour in the garment industry and is scored for nine voices and no instruments.  Sweat will be directed by Banuta Rubess, conducted by Geoffrey Sirett and designed by Sonja Rainey. The cast includes: Catherine Daniel, Caitlin Wood, Stephanie Tritchew, Christopher Enns, Larissa Koniuk, Justine Owens, Emma Char, Alexandra Beley and Cindy Won.  For more information, visit bicycleopera.com

sweat

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News and announcements

cherryblossomHere’s a round up of news and announcements from my mail box.

April 8th, at Roy Thomson Hall at 8pm, Show One productions have a show with the Moscow Virtuosi Chamber Orchestra, soprano Hibla Gerzmava and cellist Daniella Akta in a varied program including Mozart’s Divertimento No.1 in D major, K. 136, Shostakovich’s Chamber Symphony in C minor Op. 110 and arias from Norma, I Masnadieri, and Adriana Lecouvreur.

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The rest of April

tapestrybcMarch was a curiously quiet month.  April starts to look busier, at least once we get past Easter.  Tonight, Against the Grain have their monthly pub night at The Amsterdam Bicycle Club.  Snow is forecast so you should all stay away and then maybe I’ll be able to get in.  On Saturday at 4pm there’s a free (or PWYC) recital in Ernest Baumer Studio featuring soprano Stephanie Nakagawa and pianist Peemanat Kittimontreechai.  They will be performing arias from contemporary Canadian operas.  On Thursday 13th Philippe Jaroussky and Les Violins du Roy will be appearing at Koerner Hall.  It’s at 8pm and features mainly fairly obscure Handel material.

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Looking forward to Riel

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(left to right) Russell Braun as Louis Riel, Jani Lauzon as the Prison Guard, Allyson McHardy as Julie Riel and director Peter Hinton rehearsing Act III, scene v – Photo by Tanner Davies for the COC

Harry Somers’ Louis Riel was written to “celebrate” Canada’s 100th birthday and was performed at the COC in 1967 and 1968 and was given a studio TV broadcast treatment on the CBC in 1969.  Eventually that broadcast made it onto DVD and I reviewed it about four years ago.  The COC is now reviving it for Canada’s 150th in a new production by Peter Hinton, a director noted for his stage work with native artists and native themes.  Yesterday I spent an hour at the COC watching a working rehearsal of one of the scenes and this morning I took another look at the DVD.

I had hoped to be able to offer some real insights into what one might expect to see when this production opens on April 20th but, to be perfectly honest, the deeper I dig the less certain I become about anything to do with it.  I know that Hinton and the COC are taking enormous pains to recreate the work in a way that’s sensitive to 2017 and the different way that, we hope or aspire to, treat Canada’s original peoples (some of us do anyway).  But what a challenge it seems to be.  Let me try and explore some themes though you will find few conclusions.

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