Saturday afternoon at 27 North Sherbourne Rachel Krehm and Janelle Fung presented an art song recital entitled The Enticing Sky. The material chosen was interesting with a heavy bias to women composers, living composers and Canadian composers; sometimes all three at once.
We got extracts from Come Closer; settings of the poetry of Elizabeth Krehm by Ryan Trew, Ethel Smyth’s Three Songs of the Sea, Dorothy Chang’s Songs of Wood and Water, Anna Pidgorna’s Amphráin Eibhlín (the only non English language text) and Cecilia Livingston’s luna premit. Continue reading
Soundstreams has announced the line up for the 2023/24 season. First up, and very exciting, is The Bright Divide, which will play Nov 10th and 11th at the TD Music Hall (the new performance space at Massey Hall). It’s a staged show, directed by Tim Albery and featuring two works inspired by the work of Mark Rothko. There’s Morton Feldman’s Rothko Chapel for viola, timpani and choir and a new work by Cecilia Livingston; mark for viola and voice.
There was never a chance that Emily D’Angelo’s solo recital at Koerner Hall was going to be a steady procession of German lieder and French chansons with the odd Broadway number thrown in and it wasn’t. It was what D’Angelo fans would expect and (some of us at least) crave; lots of women composers and lots of contemporary music. There were five sets.
operaramblings 