Hook Up is a 95 minute musical theatre piece from composer Chris Thornborrow and librettist Julie Tepperman. It’s been a while coming. I saw the first inklings of it at Tapestry Briefs in September 2013. That morphed into Selfieseen in workshop in October 2015. Now it’s morphed again. The basic characters are still there and some of the plot elements but the focus has shifted from cyber-bullying to sexual consent and the context from high school to first year university.
Bandits in the Valley opened yesterday at Todmorden Mills. It’s a site specific comic opera with words by Julie Tepperman and music by Benton Roark. The time is 1880. Sir George Taylor is the owner of the most productive paper mill in the British Empire but he wants more. Specifically he wants to convert the entire Don Valley to paper thus depriving the pesky bandits thereof of cover. He also wants Lily Pollard, the comely soprano lead of the travelling company he has engaged to stage The Pirates of Penzance as part of the mill’s 25th anniversary celebrations. He’s not the only one after Lily. She’s also the target of the female head of the troupe, Henri, and of Jeremiah, the bandit chief who is trying to obtain his inheritance. He in turn is pursued by the house maid (and his cousin) Birgitta and, in a purely brotherly way of course, another bandit, Freddy. In proper comic opera fashion a birthmark, naturally enough on Jeremiah’s buttock, is involved. Mayhem ensues.
Selfie is a work in progress by Chris Thornborrow and Julie Tepperman. It’s still incomplete and the performances over the last couple of days were workshops designed to elicit audience feedback. It had its genesis at the 2013 LibLab and it’s come a long way. The original sketch of two teenagers texting each other is turning into an hour long piece about cyberbullying. It’s a rather disturbing exploration of how technology allows teenagers to do all those things which teenagers do with even less “supervision” than ever. In this case a manipulative girl (Cindy played by Larissa Koniuk) tries to make up for her split from her rather feckless boyfriend (Devon played by Asitha Tennekoon) by engineering a split between her friend Mindy (Meher Pavri) and her bloke Tyler (Giovanni Spanu). The result is a massive on-line slut shaming campaign against the fifth character Heather who has no real identity or agency until the very last scene. Adults encountered along the way are portrayed as clueless, ineffective or bureaucratically indifferent.
There are a couple of biggies coming up next week. On October 7th and 8th the amazingly talented and apparently fearless Barbara Hannigan is singing with and conducting the TSO. For all I know she’ll be tap dancing and doing hand stands as well. It’s her conducting debut with this orchestra. The programme features works by Nono, Haydn, Mozart, Ligeti and Stravinsky. 8pm Roy Thomson Hall.
The competition to be the most interesting and innovative indie opera company in Toronto is fierce and Tapestry Opera’s season announcement definitely places them as one of the leading contenders. As well as the usual interesting line up of workshops etc there are two brand new fully staged works and a collaboration with a punk band. Details under the cut.
This year’s Tap:Ex is titled Metallurgy and features experimental punk band Fucked Up together with COC regulars Krisztina Szabó and David Pomeroy. This one runs November 19th to 21st at the Ernest Balmer Studio. Details here.
Tapestry Briefs is the product of the Composer-Librettist Workshop run annually by Tapestry. Four composers and four librettists come up with sixteen ideas for a new opera and work up a scene from each. Last night twelve scenes from the most recent workshop were presented in a fully staged format with piano accompaniment in Ernest Balmer Studio and adjacent Distillery spaces. The quartet of singers for the evening was made up of some of Toronto’s top singer/actors; Carla Huhtanen, Krisztina Szabó, Keith Klassen and Peter McGillivray. Piano accompaniment was from Gregory Oh and Jennifer Tung.