Scottish Opera’s The Devil Inside, presented by Tapestry Opera opened last night at the Harbourfront Centre Theatre. Expectations were high I think. This was Scottish Opera’s North American debut and the Glasgow premier of the piece had received enthusiastic reviews in the British press. How would it cope with being translated from the relative sophistication of the 1200 seat Theatre Royal Glasgow to the rather spartan 250 seat Harbourfront Theatre? How would an updating of a short story with Scottish roots by a Scottish composer and librettist translate culturally? The short answer is very well indeed. It’s a fine piece and it was very well presented; musically and dramatically.
I met with Tapestry Artistic Director Michael Mori earlier today to talk about the upcoming co-production with Scottish Opera of Stuart MacRae and Louise Welsh’s new opera The Devil Inside. I’m not familiar with the work of either composer or librettist but each are well regarded in their own spheres; Welsh having made a name for herself with a number of psychological crime novels. And that seems like a good background for adapting Robert Louis Stevenson’s The Bottle Imp on which the opera is loosely based. The story itself is extremely creepy. Right up there in fact with, say, James’ The Turn of the Screw, which got turned into a pretty decent opera!
The competition to be the most interesting and innovative indie opera company in Toronto is fierce and Tapestry Opera’s season announcement definitely places them as one of the leading contenders. As well as the usual interesting line up of workshops etc there are two brand new fully staged works and a collaboration with a punk band. Details under the cut.
This year’s Tap:Ex is titled Metallurgy and features experimental punk band Fucked Up together with COC regulars Krisztina Szabó and David Pomeroy. This one runs November 19th to 21st at the Ernest Balmer Studio. Details here.