There was never a chance that Emily D’Angelo’s solo recital at Koerner Hall was going to be a steady procession of German lieder and French chansons with the odd Broadway number thrown in and it wasn’t. It was what D’Angelo fans would expect and (some of us at least) crave; lots of women composers and lots of contemporary music. There were five sets.
The first linked Hildegard von Bingen, Arnold Schoenberg and Missy Mazzoli. I’m going to focus on the Mazzoli. There was “Hello Lord” from Vespers for a New Dark Age and “You Are the Dust” from Songs from the Uproar. Both of these are stage works scored for chamber ensemble and electronics so they sound very different in piano score. Emily sang the with great purity and clarity and Sophia accompanied beautifully though there’s just no way one can capture the synth pop inflections of Mazzoli on piano. That said, it was a great advert for two works a I really admire. Continue reading →
Here’s what I’m looking forward to in February plus a few gigs I can’t make:
February 1st and 2nd the Chicago Symphony and Riccardo Muti are performing at Koerner Hall. It’s a rare opportunity to hear a top orchestra in the wonderful Koerner acoustic but it’s probably sold out already.
On February 3rd the COC opens a run of Richard Strauss’ Salome with Ambur Braid in the title role and a stellar supporting cast. Hard core Braid fans (and that includes me) know that this is a role she was born to sing. It’s an Atom Egoyan production and he’ll likely tweak it but here’s a link to my review of the 2013 run.
February 6th sees the return of the Quilico Awards; a competition for the singers of the Ensemble Studio. That’s at 5.30pm in the RBA and it’s free.
The Royal Conservatory of Music did a partial reveal of their classical and jazz programming for Koerner Hall in the 2022/3 season. It’s a pretty typical mx; heavy on piano, strings and chamber music, but there are a few interesting classical vocal concerts. Here are the highlights: