Regular readers will be familiar with the Happenstancers. They are a shifting group of young musicians convened by Brad Cherwin who have been presenting innovative chamber music concerts in an assortment of venues for a few years now. Last year Brad was selected to curate a concert for Soundstreams at the Jane Mallett Theatre which was very like a Happenstancers concert in many ways with the advantage of exposing the approach to a wider audience. On Friday night they were back under their own flag at Temerty Theatre as part of the 21C festival. Which is a long winded way of saying this is a very happening and innovative group who are emerging as a significant player in the Toronto chamber music scene.
Friday’s concert, as you would expect, consisted mostly of 21st century music but in line withe theme of “exploring the space between two people” and in typical Happenstancers’ style there was music from the Renaissace plus Schoenberg’s Verklärte Nacht. The ensemble consisted of sopranos Danika Lorèn and Reilly Nelson, Julia Mirzoev, Russell iceberg and Christopher Whitley on violin, Hezekkiah Leung and Hee-See Yoon on viola, Peter Eom on cello and Brad Cherwin on clarinets with constantly changing combos across the evening. Continue reading
Saturday evening, at Redeemer Lutheran, the Happenstancers offered up a palindromic tribute to Pascal Dusapin. As it was a palindrome I shall review it from the middle outwards. Let us take the interval as t=0. Then at t=+/-1 we heard Two Walkings from singers Danika Lorèn and Hilary Jean Young. Two songs; “How Many Little Wings” and “Kiss My Lips She Did” came before the break and the rest; “May June”, “A Scene in Singing” and “It Seems To Be Turning Music” after. And, of course the singers swapped positions at the break! This is extremely interesting but fiendishly difficult music with the unaccompanied singers trading snatches of phrases and half thoughts in a complex atonal musical language. I’m actually in awe that anybody can actually perform a work like this but they did, and very well.
Tuesday night at Heliconian Hall was the time and place for a concert curated by, and largely performed by, Confluence Concerts’ young associate artists; the KöNG duo. KöNG consists of two Toronto-Hong Kong percussionists; Bevis Ng and Hoi Tong Keung, pursuing doctoral studies in Toronto. They were supported on some numbers by Ryan Davis (viola) and Ben Finley (double bass).
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