What better way to celebrate Kurt Weill’s birthday than listening to his songs, cabaret style, with a beer or three. Well that’s what we did on Saturday as Blitzkrieg Cabaret opened a new run of Saturday afternoon shows at the Dakota Tavern.
We got three singers; Danie Friesen, Hilary June Hart, Jackson Welchner supported by Nick Donovan (drums), Colin Frotten (piano), and Andrew Downing (bass) with Hilary also chipping in on the accordion on occasion. While Danie is a classically trained singer, Hilary and Jackson sound more comfortable in a jazzier idiom. That, plus the make up of the band meant that the show tended to the “Sinatraesque” version of Weill rather than, say, the grittiness of Pabst’s Dreigroschenoper movie. This was reflected in both choice of translation and performing style. I think this works for some of Weill’s stuff but it doesn’t work for me so well with the Brecht lyrics. I’ll go for Marx over McCarthy anytime! Other people may feel differently.
To Mazzoleni Hall yesterday to hear Christina Campsall’s graduating recital. I think over the course of the year she has become my “top tip” for this year’s graduating class at the Conservatory and nothing that happened yesterday did anything to shake that judgement. It was a pretty intense program that was definitely more shade than light but that, I think, rather suits her voice. The opening set, Mahler’s Rückert Lieder, was a case in point. Dark, brooding texts, dark, brooding music and a dark, brooding voice with plenty of power. We have a mezzo here not a second soprano! That said, her high notes are all there and there seems to be plenty of power all through the registers, though to be fait I’ve only seen her once in a large hall and that was in operetta. Very good German too with a distinct northern inflection. All the consonants!