Blaze

Untitled design - 1Blaze is a record of (mostly) solo piano music by Alice Ping Yee Ho played by Christina Petrowska Quilico.  There are eight pieces on the disk adding up to just over an hour of music.  It’s quite varied.  There are pieces like the title track which are colourful and intricate with others like “Shade” being slower and, perhaps, more lyrical.  It’s all highly virtuosic requiring not just excellent orthodox technique but quite a bit in the way of extended technique.  It needs more than technique too as this is music with a lot going on that needs to be interpreted sensitively.  The performances are really impressive.

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Tapestry’s new digs

You may have been following this saga.  Basically, Artscape had a twenty year lease on a lot of space in the Distillery District which they leased out various arts organisations and studio artists, including Tapestry Opera and Nightwood Theatre; who jointly occupied the Ernest Balmer Studio and adjacent space wherein I attended many, many performances, rehearsals, workshops and so on.  It’s what made the Distillery District more than a bunch of tourist tat and over-priced restaurants. But the lease ran out and the landlord declined to renew.  Tourist tat is more lucrative than art and the Distillery District’s owners have always struggled with the idea of any purpose other than maximising profits.

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La Verbena de la Paloma

Yesterday I caught the last of three performances of Tomás Bretón’s La Verbena de la Paloma given by Toronto Operetta Theatre at the St.Lawrence Centre.  It’s a zarzuela.  What’s that you may ask.  In short it’s the native Spanish form of operetta.  Based on what I saw yesterday it has the following elements; a love story with a complication that resolves happily, spoken dialogue, musical numbers including traditional Spanish folk/dance pieces and elements of the commedia dell’arte.  These latter included an older man lusting after a much younger girl )actually a pair of them), a jealous lover who is tested by his sweetheart and a bumbling policeman.

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Met in HD 2023/24

methdTo be perfectly honest I haven’t been to a Met in HD broadcast in ages.  Regular readers will perhaps have noticed that I’m usually insanely busy on weekends as it is!  That said, I know that people appreciate a few thoughts on what;’s upcoming so I took a look at the 2023/24 season offering.  It’s an intriguing season.  The first three productions are more or less contemporary which must be some kind of record.  They are:

  • October 21st – Jake Heggie – Dead Man Walking.  This is just not my favourite opera but I understand why it’s popular.  The cast is stellar with Joyce DiDonato, Susan Graham and Ryan McKinney, among others, and Yannick conducts.  For many people this will be a “must see”.
  • November 18th – Anthony Davis – X: The Life and Times of Malcolm X.  I’ll be honest.  I have no idea about this one.
  • December 9th – Daniel Catán – Florencia en el Amazonas.  I don’t know much about this either but it’s based on Marquez and it has Ailyn Perez in the cast so I’d be inclined to take a punt on it.

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In all seriousness

Wednesday’s lunchtime’s concert in the RBA was a recital by baritone Önay Köse, currently singing Banquo at the COC, accompanied by pianist Stephen Hargreaves..There were three sets of four songs; the Ibert Quatre chansons de Don Quichotte. four pieces from Wolf’s Italienisches Liederbuch and the Brahms Vier Ernste Gesänge.

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There is nothing like a dame

favourite english songsBrowsing the back catalogue for fun stuff a few days ago I came across a record of English song featuring Dame Felicity Lott and pianist Graham Johnson.  It’s called Favourite English Songs and was released in 2006 so. at the height of the singer’s interpretative powers and with the voice still in excellent shape.  It’s an interesting mix of the very familiar; Vaughan Williams’ :High Noon” and some of the Britten folk song arrangements for example, and the less familiar with songs by Maude White, Cecil Gibbs and Gerald Tyrwhitt-Wilson among the composers I’ve never heard of.

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A murder at Crow’s

True Crime, a Castleton Massive production, by Torquil Campbell and Chris Abraham opened at Crow’s Theatre last night.  It’s essentially a one man show featuring Campbell (not quite… composer Julian Brown provides musical backing throughout).  It’s certainly a tour de force by Campbell who is on stage continually for 90 minutes and it’s hard to tell when he’s on script and when he’s improvising.  He plays a raft of characters from himself, to his father and wife, an imprisoned con man, several dogs and a bunch of others.  And he does it very well.  He also sings (and barks).

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