It was my first time seeing Welsh bass-baritone Bryn Terfel live and my expectations were high. They were met, possibly exceeded, but not perhaps in the way I expected.The singing was brilliant across a wide spectrum of moods and genres (I’ll come back to that) but what really stood out was the man’s rapport with the audience which was extraordinary. It’s really hard to describe but let me try with just one example. It’s that thorny issue of people applauding for ages in the middle of sets. The usual approach is to have some functionary come out and announce that “Herr Poffel-Woffel respectfully (huh) asks that the audience not applaud until the end of the set because he believes it spoils the atmosphere”. Bryn’s approach was to wait for the first time it happened, gently shh the audience and announce “I don’t mind at all if you applaud every song but we’ll all get a home a lot earlier if you wait until the end of the set”. There was a lot of that kind of thing and it seemed quite natural and not at all stagey.
Today’s lunchtime concert in the RBA was given by mezzo-soprano Lauren Segal and bass-baritone Robert Gleadow with Sandra Horst at the piano. The programme was titled Gypsy Songs, Travel Songs. First up was Robert, who looks considerable less rakish without a beard, with three songs from Vaughan Williams’ Songs of Travel. All three; The Roadside Fire, Bright is the Ring of Words and Whither Must I Wander are familiar recital fare but sung as well as this are a joy to hear. Gleadow has a big, full sound with quite a range of colour but he can also float very beautiful high notes. It was very impressive.
Lauren came next with Dvorák’s Cigánské melodie. These songs cover a wide range of moods, all vividly captured by Segal. Her voice is dark toned and very mezzo; no soprano 2 here! Onewould think her perfectly suited for gloomy Slavic rep until, as she did later, she cut loose on de Falla’s Siete canciones populares Españolas. Here she was every bit the dark eyed Spaniard singing with fiery passion of love and loss. Both sets ended with fierce, bravura numbers brought off with panache. The lady knows how to work a crowd!
Yesterday’s lunch time concert featured bass Robert Pomakov accompanied by members of the Gryphom Trio. The programme kicked off with two songs by Glinka with Bob accompanied by Roman Borys on cello and Jamie Parker on piano. The first piece was called Lullaby but it’s hard to imagine anyone sleeping through Bob’s powerful rendering. The second piece, Doubt, showcased some lovely playing by Borys.