Is Iago a nihilist?

I managed to catch the fourth performance of the COC’s current run of Verdi’s Otello last night.  It’s a David Alden production that first aired at ENO and it’s a very dark take on an already dark story.  It’s set maybe circa 1900 and the sets are stark but the lighting is dramatic with lots of contrasts and giant moving shadows.  The overall Zeitgeist seems to be of a society that has seen too much war; a sort of collective PTSD.  This comes over in a number of ways.  The scenes that usually lighten things up a bit; the victory celebrations in Act 1, the children and flowers in Act 2, don’t here.  In fact they are downright creepy.  There’s also a female dancer, used rather as Christopher Alden used Monterone’s daughter in Rigoletto, who clearly doesn’t expect good things from returning soldiers.

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