Following on from Massenet’s dreamlike, ambiguous Cendrillon I took a look at a fairly recent recording of Rossini’s much more straightforward, if somewhat moralising, opera buffa on the same theme La Cenerentola. There’s no magic here. The fairy godmother is replaced by the prince’s tutor Alidoro who engineers Angelina’s trip to the ball. There’s no stepmother either but rather a stepfather and it’s unclear what has happened to either of the mothers one imagines must have been involved.
Songs of Love and Sorrow
Songs and Love and Sorrow is a new CD of music by Peter Lieberson played by the Finnish Radio Symphony Orchestra and its chief conductor Hannu Lintu. There are two works on the album. The first is The Six Realms; a cello symphony in six movements heavily influenced by Tibetan Buddhism. The soloist here is Lieberson’s close friend Anssi Karttunen. Curiously this work was commissioned by the Toronto Symphony Orchestra as part of Yo-Yo Ma’s Silk Road Project and premiered by them with Yo -Yo Ma conducted by Jukka-Pekka Saraste. For more information on the piece see the Composer’s Notes.
Cendrillon – dream or nightmare?
The libretto of Massenet’s Cendrillon is much more ambiguous than Rossini’s straightforward La Cenerentola and given that we all “know” the Cinderella story exploiting those ambiguities is likely to prove attractive to a director. Fiona Shaw, whose Glyndebourne production was revived in 2019 under the revival direction of Fiona Dunn, finds rather more than. most.

Youtube roundup
New(ish) content you might want to check out:
- AtG’s Youtube channel has a really interesting interview with Peter Sellars and a very nice film presentation of Celia Livingston’s Penelope (after Homer’s Odyssey)
- Toronto Operetta Theatre is also on Youtube now with excerpts from various shows from the last few years. technical quAlity is very good.

And coming up, this year’s Mysterious Barricades event in support of World Suicide Prevention Week is on September 10th. It’s virtual this year, of course, but needed now more than ever. Details on their Facebook page
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Searing Simon Boccanegra
Sometimes a video recording just seems to have it all and I would put the 2019 Salzburg Festival version of Verdi’s Simon Boccanegra in that category. It’s quite an interesting production but it’s the sheer quality of the music making that puts it in the very top bracket. It’s also technically very good in all departments.

Violanta
Violanta is one of those works which seem oddly out of place, among other things. It’s a one act opera by the eighteen year old Erich Korngold which premiered in Munich and Vienna in 1916. It hardly needs saying that most eighteen year olds in Europe in 1916 were engaged otherwise than in composing rather overwrought operas about seduction and death in 15th century Venice but there you go.

Opera Atelier announces a real live 2020/21 season
Yes, Opera Atelier, bar further restrictions on gatherings/performances, is planning to offer two fully staged, costumed and choreographed live shows in the upcoming season, though only for a single performance of each. Both will play at Koerner Hall which is well equipped both back stage and front of house for “social distancing”.

Elora Festival opening concert
The first of three concerts from the Elora Festival was webcast last night. It opened with a nicely produced video of the Elora singers performing Jonathan Dove’s In Beauty May I Walk which was followed by Lawrence Wiliford and Lucas Harris performing sings for lute and tenor. The lute was a weird and wonderful thing combining the usual strings with a longer theorbo like section totalling 12 courses and 23 strings. The music was all from the 17th century (as best I can tell) ranging from well known names like Purcell and Blow to others like John Beck who are likely only familiar to specialists in this rep. Anyway, it was beautifully done and makes one wish that this material would be performed more often.

Concerts live and virtual
Tapestry have another in their outdoor “box concerts” series coming up Friday, August 7th at 2pm at Ehatare Retirement and Nursing Home, 40 Old Kingston Rd, Scarborough. It features tenor Asitha Tennekoon and if you are in the neighbourhood you should be able to find them. The series is aimed at community groups, retirement homes etc and if you are so inclined you can arrange for them to come visit. Details are on the Tapestry website.
Orphée à Salzburg
The Salzburg Festival rarely does operetta but in 2019 they decided to commemorate the 200th anniversary of Offenbach’s birth with a new production of Orphée aux enfers by Barrie Kosky. With Kosky and comedy one sort of knows what to expect but there’s always something very original. Here, in order to get the (German) dialogue as crisp as possible he takes it away from the singers and gives it to a new character; John Styx, played by actor Max Hopp, who not only speaks all the dialogue in an amazingly wide range of voices but also produces all the sound effects. The only other character who speaks is Anne Sofie von Otter as L’Opinion publique and even she is doubled by Hopp. Not that the singers have nothing to do during the dialogues. They pantomime their words, often in quite an exaggerated fashion and to great effect.
