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About operaramblings

Toronto based lover of opera, art song, related music and all forms of theatre.

Marcel d’Entremont in recital

To Walter Hall on Saturday evening to hear a recital by tenor Marcel d’Entremont.  I was intrigued by the programme; English song; art and otherwise, with the resources of a piano quintet for accompaniment.  It’s quite rare for an art song recital to have more than just piano accompaniment so this looked promising.  I wasn’t disappointed.

Proceedings began with three of Beethoven’s Irish Songs scored for voice and string trio (Here Aaron Schwebel – violin, Rory McLeod – viola and  Guillaume Artus – cello).  I wasn’t familiar with these songs and they are really rather jolly and were nicely done.  Two Irish ballads of the sort that people mistake (sometimes) for “traditional” (but no Tom Lehrer) followed.  Marcel has the style down pat (or Pat) for these.  Think all those best selling recordings of Irish tenors from the 78 era. Continue reading →

Sex T-Rex and falling out of love with sketch comedy

I was brought up on the British TV sketch comedy of the 1970s; above all Monty Python, so I ought to love sketch comedy, right?  I’ve actually been trying to rekindle some enthusiasm for it.  I went to Spotlight at Srcond City and last night I went to Sex T-Rex; the featured act of Sketchfest at the Theatre Centre.  It’s not working for me.  Sketch comedy has changed or I have changed and likely, honestly, both.  Bottom line it really doesn’t do it for me.

It’s not that the current show Crime After Crime (after crime) doesn’t have any merit.  It does.  It’s cleverly set up as the multi-generational saga of the Stone family; colourblind crime bosses of Crime City.  It’s inventive.  There’s a recurrent joke about defusing the bomb that’s about to go off but nobody can tell which wire is the red one.  It manages the mood change from 1940s noir to 1980s James Bond to more contemporary super-hero genre movies with a clever nod to Star Wars Along the way; to whit a starfighter pursuit crafted out of coat hangers.  The movement; goofy simulated car and boat chases is funny but in the end it couldn’t hold my attention for 90 minutes.  YMMV. Continue reading →

The Herald

It Could Still Happen’s The Herald opened at Buddies in Bad Times last night.  It’s a really difficult work to pigeonhole.  It’s a poetic exploration of “labour” through words and music using Ancient Greece as a sort of vehicle for discussing more contemporary, or perhaps, universal concerns. It starts with playwright and director Jill Connell making a speech in front of a projection of the “principles for work” which could perhaps be summarised as “labour should be a temple of awareness” but along the way we get a lot of astrology; night charts and day charts and Antonio Banderas and whether his fashion line includes capes.

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The pitfalls of dramatising a debate

The Surrogate by Mohsin Zaidi, directed by Christopher Manousos opened in the intimate Studio Theatre at Crow’s last night in a production by Here For Now Theatre.  It’s an impassioned piece about the ethics of surrogacy.  So let’s look at surrogacy and what Zaidi is trying to say about it.  It’s the practice of a couple, usually wealthy, usually male, usually gay contracting with a woman, usually poor, usually vulnerable, often immigrant, to carry a baby that is not biologically hers to term.  Surrogacy is legal in forty plus US states but illegal in Canada and, crucial to the play, Louisiana.

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Midday mélodies: Canada meets France

Tuesday’s concert in the RBA was given by students from the France-Canada Academy of Vocal Arts currently being hosted by the UoT Faculty of Music. The music was a range of mélodies, all in French, by French and Canadian composers.

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Paradise Lost?

Aotearoa based ensemble UPU Collective are currently touring a show called UPU (“upu” means words in many Polynesian languages) co-created by Grace Iwashita-Taylor and Fasitua Amosa.  It’s an hour long sequence of vignettes dealing with the historical experiences of the people of the islands; their journeys of exploration and settlement, their encounters with Europeans and, ultimately, their experience with capitalism and colonialism.  It’s playing a short run at Aki Studio before moving on to Brantford, Fredericton, St. John, Prince Albert and Camrose.

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The Happenstancers – Die Nacht/Der Mond

The Happenstancers; this time consisting of Brad Cherwin – clarinets, Peter Eom – cello, and Joonghun Cho – piano, performed at Arrayspace on Saturday night.  The programme, entitled Die Nacht/Der Mond, was built around two of that relatively rare species; the clarinet trio, with various pieces by contemporary composers rounding out the line up.

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Little Willy is a hilarious, filthy, Shakespearean (maybe) romp

Ronnie Burkett’s show Little Willy opened at CanStage Berkeley Street on Friday night.  It’s a puppet show like you have probably never seen before.  It’s clever, it’s filthy and it’s very funny.  Burkett is creator, puppeteer, actor and singer all rolled into one.  The plot concerns a second rate, but very Canadian, theatre company attempting to stage a production of Romeo and Juliet.  What ensues is frankly rather hard to describe.

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