Tapestry Opera has now announced its upcoming season. There are three shows. The season begins in November with Naomi’s Road; libretto by Ann Hodges based on the novel by Joy Kogawa with music by Ramona Luengen. Set in Vancouver during the Second World War, the opera follows 9-year-old Japanese-Canadian girl Naomi and her brother, whose lives are upturned when they are sent to internment camps in the BC interior and Alberta. It runs November 16th to 20th at St. David’s Anglican Church, the home of the last Japanese-Canadian Anglican parish in Toronto. Continue reading
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The Highwayman and Other Travels
Most people in the Toronto opera world know Dean Burry principally as a composer of operas for children. He’s written several and a couple have been mainstays of COC school tours. It’s perhaps understandable then if his music is seen as approachable and maybe, even (sotto voce), a little unsophisticated. Last night, a recital of Dean’s works in Victoria College Chapel; part of his DMA program at UoT, provided a chance to hear a number of works in a much broader range of styles.
The concert kicked off with Tussah Heera playing InPerfections for solo piano. It’s a fully serial piece with the tone rows based on the DNA sequences of various hereditary diseases. It’s quite striking and way more than a just a theory exercise. The same could be said for Three Caprices for solo violin played by Dean’s partner Julia McFarlane. These used a range of extended violin techniques to good effect.
The week in prospect
It’s another pretty busy week. There are two student shows today, both free. At 2.30pm in the MacMillan Theatre there’s a performance of a new opera based on EM Forster’s The Machine Stops. It’s by Patrick McGraw, Robert Taylor and Steven Webb. Sandra Horst conducts and Michael Albano directs. Then at 8pm in Mazzoleni Hall, Christina Campsall is performing Poulenc’s La Voix Humaine with Brahm Goldhammer providing piano accompaniment.
In which the dogs don’t really get let out
Tap:Ex METALLURGY is the second experiment by Tapestry Artistic Director Michael Mori in engineering a collaboration between opera people and an alien musical form; in this case punk experimentalists Fucked Up. The program consistec of two pieces. Metallurgy A was written by Fucked Up’s Jonah Falco to a dense libretto by Mike Haliechuk and David James Brock. In half an hour it tells the story of a mother and father trying, unsuccessfully, to come to terms with the death of their young daughter. Dramatically it’s quite clever. There’s dialogue and then the performers (the musicians are on stage with the singers) leave one by one until only the mother (Krisztina Szabó) and the violinist (Yoobin Ahn), representing the ghost of the daughter, are left on stage to play out a final duet.
A busy week
Next week is a bit crazy. Tomorrow is the Elizabeth Krehm memorial concert in aid of St. Mike’s ICU. They are playing Mahler 2 and it’s PWYC with a tax receipt. 8pm at Metropolitan United Church. Tueday sees the opening of Philippe Boesmann’s Julie at 8pm at the Bluma Appel. It’s an important, if bleak, contemporary piece and for the first time here, in a Soundstreams/CanStage presentation, it will be sung in English. It runs until the 29th so plenty of chance to catch it.
Pyramus and Thisbe – Beyond time and space
Back last night for a second look at Pyramus and Thisbe at the COC. I’ve been involved in a huge amount of discussion, mostly with Katja, about this show since we saw it on Tuesday and there were many things about the Monk Feldman piece and its staging that I wanted to think about again. Lots of thoughts and, perhaps, a slightly different perspective since I was watching from two levels higher in the house this time.
Pyramus and Thisbe – a world premiere
The new COC creation Pyramus and Thisbe with music by Monteverdi and Barbara Monk Feldman opened last night at the Four Seasons Centre. I was expecting abstract and cerebral, which it is, but I was rather expecting that I might admire it more than enjoy it. As it turned out it was a remarkably satisfying show on many levels.
Some photos from last night
Here are a few pictures from last night courtesy of photographer Trevor Haldenby and Soundstreams. Loving Krisztina’s new hairstyle.
The week in prospect
This afternoon at 3pm, at Trinity St. Paul’s, Off Centre kick off their season, Geoff Sirett, Nathalie Paulin and others offer an all Russian programme.
Super Tuesday is a ridiculously busy day. At noon in the RBA Array Music is presenting Love Shards, a program of music by contemporary women composers. The full programme is here. In the evening Adrianne Pieczonka and Kristina Szabó are singing works by Crumb and Berio at Koerner Hall. There’s also a fundraiser for Opera 5 at The Extension Room. I’m sorry to be missing that one as the last couple have been a blast. Definitely worth going to if you are not going to Koerner.
Thursday there is a PWYC show by UoT Opera at The Black Box Theatre at 7.30pm. Tim Albery and David Fallis, creators of last season’s evocative Last Days, have created The Fatal Gaze, an exploration of the dangers of looking too long or too closely, inspired by the Baroque repertoire. Last days was really good so I have high expectations for this one. It’s also on on Friday.
Exciting 2015/16 season from Tapestry Opera
The competition to be the most interesting and innovative indie opera company in Toronto is fierce and Tapestry Opera’s season announcement definitely places them as one of the leading contenders. As well as the usual interesting line up of workshops etc there are two brand new fully staged works and a collaboration with a punk band. Details under the cut.
This year’s Tap:Ex is titled Metallurgy and features experimental punk band Fucked Up together with COC regulars Krisztina Szabó and David Pomeroy. This one runs November 19th to 21st at the Ernest Balmer Studio. Details here.



