Micah Schroeder in recital at the Tranzac

Baritone Micah Schroeder and pianist Stéphane Mayer gave a recital on Saturday night at the Tranzac called Everlastingness.  It was a carefully curated mix of song recital classics, works by contemporary Canadian composers and some Armenian influences.  The balance was such that a two hour plus recital seemed to fly by.  I rather like the Tranzac for this kind of event.  The acoustics are fine and the comparative intimacy of it gives a vibe somewhere between a concert hall and, say, Opera Pub.  It’s certainly difficult to imagine anyone (furries aside) wearing tails there.

And so to the music… Matters kicked off with Danika Lorèn’s setting of Edna St.Vincent Millais’ Recuerdo no. 7 – A Few Figs From The Thistle.  It’s a gentle setting of an appealing text and was a good atmosphere setter.  Next was a foray into Ich bin ein ernsthafter deutscher Bariton territory with Schumann’s Lieder und Gesänge aus Wilhelm Meister.  This was very nicely done with excellent diction, measured singing; balancing the dramatic and the sensitive aptly, and was beautifully accompanied.  Proper Lieder singing in fact. Continue reading

More farewells

The first of this year’s Les Adieux concerts for departing members of the Ensemble Studio took place Tuesday lunchtime in the RBA.  It was supposed to feature Brian Cho, Mattia Senesi, Korin Thomas-Smith and Karoline Podolak but Karoline was indisposed so Emily Rocha (not leaving) jumped in at the last minute.

The rearranged programme worked pretty well with maybe a bit more opportunity for the pianists.  Sio, Mattia  played the Intermezzo from Brahms’ Op 118. No. 2, which was very nicely done and Brian closed things out with just the piano part from Schumann’s Widmung which works surprisingly well, at least if one is familiar with the song. Continue reading

The complete du Pré

I first started to think seriously about the late Jacqueline du Pré when I saw the Woolf/Vavrek opera Jacqueline in 2020 at Tapestry.  Subsequently I listened to the CD release and attended the remount at Tapestry in February this year.  Then I saw that all of her concerto recordings for HMV (back catalogue now owned by Warner Classics) made between 1965 and 1970 had got a major facelift along the lines of the Solti Ring.  The original analogue tapes have been digitized at 192kHz/24 bit using the latest technology and then remastered for SACD.  The result is a four hybrid SACD box set called The Great Cello Concertos. Continue reading

Countertenor Lieder

Uncharted is a new CD from countertenor Aryeh Nussbaum Cohen and pianist John Churchwell.  It appears to be the first time a countertenor has recorded a disc of classic German Lieder which is interestig and perhaps surprising.  There are three sets on the record.  It starts with Korngold’s Lieder des Abschieds Op. 14; four songs I was previously unfamiliar with but I’m glad to have heard them.  The second set alternates mostly well known songs by Brahms and Clara Schumann and the last set is Robert Schumann’s Liederkreis Op. 39 with, appropriately, his “Der Nussbaum” to wrap things up. Continue reading

Invocations

invocationsThursday night at the Jane Mallett Theatre Soundstreams and Music Toronto presented a concert featuring the Gryphon Trio (Annalee Patipatanakoon – violin, Roman Borys – cello, Jamie Parker – piano) and others.  Also two world premières.

First up was the première of  Vivian Fung’s Prayer; a short piece for violin (Lara St.John) and piano.  It’s a rather beautiful short piece with a melismatic beginning that gets more dramatic and then morphs to a kind of searching quality.  It was followed by Amy Beach’s Invocation for violin and piano, Op. 55 of 1904.  It’s a competent, melodic piece in the Romantic tradition.  Pleasant enough. Continue reading

The Tortured Poets Department

alexhWednesday evening’s Shuffle Hour concert at Toronto Summer Music was given by mezzo Alex Hetherington and pianist Vlad Soloviev in Heliconian Hall and carried the curious moniker The Tortured Poets Department. It kicked off with the letter aria from Massenet’s Werther and let’s face it if anyone deserves torturing it’s some combination of Werther himself and Goethe for inventing him (and possibly Massenet for prolonging the life of a character who might otherwise have fallen into obscurity).  Whatever, Alex gave a fine, impassioned reading of the aria which set the stage well for what was to follow. Continue reading

Simone Osborne and Rachael Kerr in the RBA

DI-01761Wednesday’s lunchtime recital in the RBA featured Simone Osborne; currently appearing as Norina in Don Pasquale, and pianist Rachael Kerr.  It was a well curated selection of songs apparently, at least partially, inspired by sleep deprivation singer and pianist both have small children!).  There were three sets of four songs.  One in each set was by a Canadian composer backed up by two others that were thematically related.

So the first set featured birds.  Godfrey Ridout’s arrangement of She’s Like The Swallow was supported by Viardot’s Grands oiseaux blancs and Grieg’s “Ein Schwan” from Sex digte af Henrik Ibsen.  It worked.  The Ridout got a reasonably folk song like treatment, the Viardot was dramatic and the Grieg was just beautiful.  A good start. Continue reading

Dichterliebe: Whose Love?

I caught the second performance of Teiya Kasahara and David Eliakis’ Dichterliebe: Whose Love at Heliconian Hall on Saturday evening.  It was part of the Confluence Concerts series and not untypical of the eclectic nature of that series.  Also it was a logical continuation of these two partnering on shows that question gender norms in the classical music industry.

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Winterreise with the Toronto Mendelssohn Singers

I’ve seen Schubert’s Winterreise done many ways.  There’s the classic one with baritone and piano and more rarely soprano (including a memorable performance by Adrienne Pieczonka as a passing cold front battered the hall!).  I’ve seen it done with projections and three singers and I’ve seen made into a film.  So there’s nothing particularly outré about arranging it to add a choir to baritone and piano.  The choir can function as Greek chorus or alter ego or whatever.  Any way that’s what Gregor Meyer did and what the Toronto Mendelssohn Singers conducted by Jean-Sébastian Vallée performed when they joined forces with Brett Polegato and Philip Chiu at Trinity St. Paul’s on Saturday night.

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One to watch

Last wednesday’s RBA recital was given by mezzo-soprano Jingjing Xu; the 2022/23 Wirth Vocal prize winner, and Christopher Knopp; piano.  It was one of the most impressive performances by a singer at this stage of her career (just finished her master’s) that I have heard in quite a while.  Mr. Knopp is pretty impressive too and it’s obvious that they have worked together quite a lot.

xu_knopp

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