The Valentine’s Day recital in the RBA was given by Simone McIntosh and Rachael Kerr. They served up fare appropriate to the occasion unlike in 2013 when Franz-Josef Selig gave us a Valentine recital mostly about Death! It was an interesting mix of material starting with two of the Britten folk song arrangements; “The trees they grow so high” and “The miler of Dee”. Quite a bold choice in some ways as the first one is almost, but not quite, a capella so there’s nowhere to hide. It was good. Not only was Simone’s voice accurate and expressive but she gave herself some metrical freedom. There is nothing worse than a singer singing this material as if they have a broomstick up their ass.
Tag Archives: rba
Von Ewige Liebe
Wednesday’s lunchtime recital in the RBA was given by Jane Archibald and Liz Upchurch. It was a programme of songs by the Schumanns (Robert and Clara) and their protegé Johannes Brahms, in celebration of their relationship which extended well beyond Robert’s premature death.

February 2024 – concerts and opera

Contemplating another production of “Carmen”
First a couple of 21C concerts inadvertently omitted from my January listings post. On the 19th in Koerner Hall there’s Fazil Say and friends (including Beste Kalender) in a programme of mostly Turkish music and in the late show in Temerty Theatre the following night Brian Current presents and conducts a concert titled Indigena.
So to February: Continue reading
Sara Schabas – In a Dark Blue Night
Tuesday’s lunchtime recital at the Four Seasons Centre was given by soprano Sara Schabas and pianist Isabelle David backed up by some (mercifully concise) musicological/historical background from Robin Elliott. The concert was in two parts. The first celebrated the work of Austrian-Jewish composers active in Vienna in the first third of the 20th century. The second was a song cycle in Yiddish celebrating the Jewish immigrant experience in New York.

January 2024
Here’s a look at the start of 2024 in Toronto.
On the 7th and the 9th OPUS chamber music, who feature some of Canada’s best young chamber musicians, have a pair of concerts. The first is at Trinity St. Paul’s and features music by Rebecca Clarke, Leo Weiner, Anton Webern and Robert Schumann. The second is at the Arts and Letters Club and includes music by Tcherepini, Klein, Wegener and Beethoven.
Winter Celebrations
My usual reaction to holiday season concerts is (polite version) “Bah humbug”. The less polite version involves reindeer placement. That said Thursday’s concert from the COC Ensemble Studio was really rather enjoyable.
It opened with Brian Cho and Mattia Senesi doing a four hands version of “Dance of the Sugar Plum Fairy”. Regrettably they didn’t dance. I guess Korin Thomas-Smith could have filled that role as later in the day he showed some very cool moves but that’s another story.
There was Handel of course; Queen Hezumuryango with “O Thou that Tellest Good Tidings to Zion” and Wesley Harrison with “Ev’ry Valley”. Both of those featured later in the day too. But that’s another story.
Songs of Cecilia Livingston
Tuesday’s lunchtime concert in the RBA consisted of works by Cecilia Livingston chosen and performed by members of the COC’s Ensemble Studio. It was a fairly varied programme considering it was all works by one composer.
Quieen Hezumuryango and Mattia Senesi kicked things off with Give Me Your Hand which sets a Duncan McFarlane text exploring aspects of Lady Macbeth. It uses extended piano technique and suits the dark colours of Queen’s voice. It was followed by Moon; an evocative solo piano piece played by Brian Cho. Not the only time the moon would figure in the programme.
Four voices, four hands
Monday’s concert in the RBA was made up of two song cycles for four voices with one piano played by four hands. The first piece was the Brahms Liebeslieder Waltzes Op.52 which sets eighteen short folk songs and love poems from Georg Friedrich Daumer’s collection Polydora. The second was John Greer’s 2001 piece Liebeslied-Lieder Op.20 which sets various playful texts exploring the foibles of love and romance by Dorothy Parker and others.

Into December
First some late calls for November:
- The Early Music folks at UoT are doing Purcell’s Dido and Aeneas at Trinity St. Paul’s on the 21st and 22nd.
- November 22nd and 23rd there’s a 20th anniversary concert for Autorickshaw at Heliconian Hall presented by Confluence Concerts.
- Amici Chamber Ensemble have an afternoon concert on the 26th at Trinity St. Paul’s called The Winds of Time featuring chamber music for wind instruments from the 18th to 21st centuries.
Songs and Suppression
Tuesday’s free lunchtime concert in the RBA came courtesy of the German Consulate who had flown in baritone Samuel Chan and pianist Constanze Beckmann from Kiel to perform a recital of songs by Walter Braunfels and Hanns Eisler; both composers driven from public life in Germany by the Nazis.
