Homage to Shostakovich

Dmitri Shostakovich died on 9th August 1975; the day after my 18th birthday and I remember the feeling of sadness and hurt I felt when I heard the news.  The 50th anniversary is being celebrated by a fair number of concerts featuring the great man’s works including one given my members of the COC Ensemble Studio in the RBA on Thursday.

The material featured was comparatively unknown even by the standards of Shostakovich songs which are, in general, much less well known than his symphonic and chamber works.  Matters started playfully enough with a four hands arrangement of Waltz No.2 played with appropriate whimsy by Brian Cho and Mattia Senesi  It was followed by the first of two sets by Duncan Stenhouse; two of the songs from Four Romances on Poems by Pushkin, Op.46.  Using text by Pushkin allowed the composer to express sentiments about authority that would otherwise have been very risky and these pieces are sombre.  They were very solidly sung with some impressive floaty high notes, variation of colour and fine work by Senesi.  Shostakovich rarely lets one forget he started out as a pianist! Continue reading

Flaming Toscas and oinking hogs

Last Wednesday’s noon hour concert in the RBA was a collaboration between the Canadian Art Song Project and the UoT Faculty of Music.  It was an all Canadian programme; mostly living composers and mostly in a lighter vein; hence the title Songs of Whimsy and Humour.

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Tea For Two

Last Friday’s lunchtime concert in the RBA was given by the France-Canada Academy of Vocal Arts at the University of Toronto.  That mouthful is the moniker of a collaboration between the Faculty of Music and the Académie Francis Poulenc.  So this last week members of the AFP had been in Toronto working with students and faculty here on French chansons and canadian art song.  Fridays concert showcased six singer/pianist teams singing French song rep from both sides of the Canadian Channel.

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March 2025

So what looks fun in March?

  • March 1st (Dydd Gŵyl Dewi Sant) Apocryphonia have a “classical meets punk” concert called Brews, Beauties and Brawlers at St. Olave’s Anglican Church at 7.30pm.  PWYC.
  • March 5th Canadian Art Song Project have their annual gig at noon in the RBA.
  • Crow’s Theatre have a new adaptation of Measure for Measure in the Studio Theatre.  Previews on the 6th and 7th, opening on the 8th and running to March 16th.

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The Christina and Louis Quilico Awards – 2025 edition

Tuesday evening in the RBA members of the COC Ensemble Studio competed for the biannual Christina and Louis Quilico Awards.  These days every time I attend a singing competition, which I have been doing much less of, I ask myself why.  There are really three reasons:

  • The music to faffing about ratio is pretty low,
  • If one knows the contestants one has a pretty good idea what they are going to sing and one has probably heard it before,
  • The judges give no reasons for their decisions which are as often as not inscrutable.

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歌曲 Kakyoku

Thursday lunchtime in the RBA saw Teiya Kasahara, Chihiro Yasufuku and Simone Luti perform 歌曲 Kakyoku: Journey in Japanese Song.  It was an interesting contrast with Sam Chan’s exploration of Western representation of Asia and Asian in Western classical music the day before.  This time all the music was by Japanese composers setting Japanese texts but (in some sense at least) in the Western classical style/tradition.  In its way it forms part of the broader “modernisation” of Japan that took place after the Meiji Restoration.

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Identität/個性

Wednesday’s lunchtime concert in the RBA was given by Ensemble Studio graduates Samuel Chan and Rachael Kerr, reuniting for the first time since ES days.  Nowadays Sam is Fest at Theater Kiel and the recital was built around his attempt to probe his identity as a Chinese-Canadian performing Western opera for (mostly) Germans.  Sam is a pretty deep, thoughtful kind of guy so it wasn’t surprising that this was an unusual and carefully curated recital.  It was also quite wonderfully performed.

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February 2025

Before looking forward to next month I want to mention a couple of things this weekend that I haven’t previously noticed.  Saturday (Jan 25th) at 12.30pm there is a Met HD broadcast of new production of Aida with a pretty interesting looking cast.  Later, at 6pm there’s a rather special concert at the Arts and letters Club to celebrate the 100th birthday of Morry Kernerman (former assistant concertmaster of both the TSO and OSM).  The concert is presented by Canzona Chamber Players and wiull feature Trio Uchida-Crozman-Chiu. Continue reading

Sara Schabas in the RBA

Wednesday’s lunchtime recital in the RBA was given by Wirth Vocal Prize winner Sara Schabas and pianist Alexey Shafirov.  It was a varied and virtuosic programme.  Five composers and five languages were involved and the works performed ranged in date from the 1815 to 2000.

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January 2025

jan2025So what’s in store for Toronto early in the New Year?

  • December 29th 2024 and January 3rd and 4th 2025, Toronto Operetta Theatre are presenting Kalman’s Countess Maritza at the Jane Mallett Theatre.
  • Bad New Days are presenting Adam Paolozza’s Last Landscape; a meditation on environmental collapse, at Buddies in Bad Times.  Preview is on the 12th with opening on the 14th and running until the 26th.
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