Singer songwriter sorta

st1Thursday night’s Conflunce Concerts show at Heliconian Hall was titled Songs from Toronto and consisted of songs by Toronto singer-songwriters arranged for a larger ensemble by Andrew Downing.  And by larger ensemble I mean various combinations of string trio, double bass, guitars of sundry varieties, vibraphone and piano.  To further spice things up some of the songs were sung by Teiya Kasahara who is a rather different Fach than the average singer in this genre.

I have very limited exposure to Toronto’s singer-songer writer community (I didn’t even know it was a “thing”) and so it’s hard to assess where last night departed from some sort of norm or not or to assess whether arranging for a larger ensemble enhanced the experience or detracted from the intimate nature of someone singing their own stuff in their own way.  FWIW I do have a fair bit of experience with singer-song writer music from the British isles and Atlantic Canada and I know that can work pretty well with a band.  Think Liza Carthy or Billy Bragg for example.

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Dreams of Home

04_CC_Dreams_of_HomeTuesday night at Heliconian Hall was the time and place for a concert curated by, and largely performed by, Confluence Concerts’ young associate artists; the KöNG duo.  KöNG consists of two Toronto-Hong Kong percussionists; Bevis Ng and Hoi Tong Keung, pursuing doctoral studies in Toronto.  They were supported on some numbers by Ryan Davis (viola) and Ben Finley (double bass).

The concert was very much in two parts.  The first half was a series of fairly short pieces on the theme of “dreams”.  Perhaps designed to be impressionistic and to leave far from clear memories.  First up was the slightly jazzy, very complex My Missing Harbour by Fish Yu.  It blended tuned percussion and both string instruments in a largely tonal, slightly shimmery sound world.

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Love Letter to Toronto

whitekwonWednesday evening’s early evening shuffle concert at Heliconian Hall featured Karine White and Hyejin Kwon in Love Letter to Toronto.  It was a compilation of opera arias, art song and more popular fare; sometimes altered a bit, evoking those things we love and don’t about Toronto.  Summer nights, love and loss, wildlife and, inevitably, traffic and the TTC featured prominently.  oomposers featured ranged from Mozart to Heisler and Goldrich via Puccini, Bernstein, Menotti and more.  All in all, a varied and nicely constructed programme.

It’s been a while since I’ve seen Karine White and I think when I last did it was in something classically operatic like Purcell.  What she revealed on Wednesday, besides some very fine singing, was a really engaging stage personality.  She’s just fun to watch and listen too and she has the knack of making everything sound personal.  Seductive or struck dumb by love; nervous or brash,  She can do it all convincingly.  Hyejin’s contribution was fun too.  It’s not just her top notch pianism but she played off well as Karine’s “straight woman” rather as David Eliakis did in Teiya Kasahara’s first iteration of The Queen in Me.  It was a fun way to spend an hour that could only have been improved by adding raccoons.

All the Diamonds

Confluence Concerts last show of the season; All the Diamonds, was dedicated to the night sky.  It’s not easy to find new things to say about Confluence, unless there’s a new work or sometging on the programme.  Every show is different but there are elements in common.  The styles of the music vary from pop, to singer-songwriter, to jazz to classical to spoken word and the performance styles are equally varied and not always what one expects for the piece in question.  So for instance, Don McLean’s “Starry Night” got the Suba Sankaran/Dylan Bell two part a cappella treatment and the traditional Ladino number “Yo menamori d’un aire” got full on jazz vocals from Patricia ‘Callaghan with instrumentals from Larry Beckwith n violin and Andrew Downing on bass.  It was fun, varied and joyous and no two bits of the 23 item line up was quite like anything else.

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A Woman’s Voice

A Woman's VoiceConfluence Concerts’ show last night at Heliconian Hall was titled A Woman’s Voice.  It was, after a fashion, a CD release concert in two halves.  The first half featured music by Alice Ping Yee Ho from the album A Woman’s Voice and featuring the same performers; Vania Chan, Katy Clark, Alex Hetherington, Maeve Palmer and Jialiang Zhu.  I’ve already reviewed the album and I don’t think last night changed my opinion much so I’ll not do a detailed rundown.  What I can say is that last night it was mostly opera excerpts; Lesson of Da Ji, Chinatown, The Imp of the Perverse, and a live concert gave an opportunity for a bit of staging which was definitely an enhancement, especially in The Imp of the Perverse scene.  “Café Chit Chat” and “Black” also benefitted from visual interaction between the singers.  I like the CD a lot.  Getting a chance to see some of the music live was great. Continue reading

Silent Tears CD release

I went to the Toronto release concert for Payadora Tango Ensemble’s Silent Tears: The Last Yiddish Tango last night at Heliconian Hall.  Nearly all the music played was on the CD which I described in some detail here. There were a few “extras”.  There was a song from Lenka Lichtenberg’s new Album Thieves of Dreams.  There was also an upbeat Argentinian tango to finish which I was rather in need of.

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Ryan Davis and friends

To another excellent Confluence Concerts production last night at Heliconian Hall.  This one was curated by Confluence’s Young Artistic Associate Ryan Davis; composer, violist and electronic Wunderkind.  He was joined by a very talented group of young musicians; Kevin Ahfat (piano), Bora Kim (violin), Daniel Hamin Go (cello) and Jonelle Sills (soprano) plus the vocal talents of Confluence stalwart Suba Sankaran.  The programme was built around English and French romantic music plus Ryan’s own compositions influenced by that tradition.

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A Simple Twist of Fate

Confluence Concerts returned to live performance last night at Heliconian Hall.  The concert, curated by Patricia O’Callaghan, was titled A Simple Twist of Fate and featured an eclectic mix of music either on the topic of Fate or that was entwined with the fates of the performers.

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Bach III

The third and final concert in Confluence Concerts and the Toronto Bach Festival’s presentation of the Bach cello suites is now on line.  It features Andrew Downing playing the Suite No.2 in D minor BWV1008 on double bass and Ryan Davis playing the Suite No.5 in C minor BWV1011 on viola.  Both pieces were recorded in front of a live audience at Heliconian Hall.

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FirstFigSongbook

To Heliconian Hall last night for a short concert of songs by Danika Lorèn.  It was thoroughly enjoyable.  The songs were split up into sets of one or two and sung/accompanied by UoT grad students.  The standard of performance was pretty decent but it was very noticeable that when Danika and Stéphane Mayer inserted themselves into the proceedings everything got turned up a couple of notches.  As Danika said to me “not a student anymore” while hinting at a significant numerological event.

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The gang minus the composer

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