Amidst the Shades

Amidst the Shades is a new album from British soprano Ruby Hughes accompanied by Jonas Nordberg on lute and archlute and Mime Yamahiro Brinkmann on viola da gamba.  It’s a very beautiful record starting, as one might expect, with a selection of English song from the 16th and 17th century plus some pieces for solo lute.  There are songs by John Dowland, including the well known Can She Excuse My Wrongs (possibly to a text by Robert Devereux; if so clear who “she” is).  Robert Johnson makes an appearance with three songs including two Shakespeare settings.  John Danyel also features along with instrumental music by Anthony Holborne and Tobias Hume. Continue reading

Skelton as Grimes

Continuing the theme of all Grimes, all the time… The only commercially available recording of Britten’s Peter Grimes with Stuart Skelton in the title role is a Chandos SACD recorded in Bergen in 2019 with Edward Gardner conducting and it’s really good.  These two though had been captured on video in 2015 in a David Alden production at ENO.  That had formed part of the ENO Live series of cinema transmissions but it was rebroadcast in August last year on Sky Arts in the UK.  That version (at least my copy) is 720p video and AAC 2 channel 48kHz audio; so not quite Blu-ray standard but very tolerable.

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Langridge’s Grimes revisited

Almost fourteen years ago I reviewed the DVD of the 1994 ENO production of Britten’s Peter Grimes.  The DVD was so bad technically that it was quite hard to decide much about the merits of the performance although it was obvious that Philip Langridge’s Grimes was something special.  On June 1st this year the BBC rebroadcast the recording in HD on BBC4.  I have a copy of that broadcast and it’s way better than the North American DVD release and so I wanted to clarify and, where appropriate, correct what I said in that earlier review.

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Alexander Capellazzo at Met United

I don’t pay as much attention to the free concert series at Metropolitan United as I should but yesterday I made it there to hear tenor Alexander Cappellazzo and pianist Narmina Afandiyeva in a programme of 20th and 21st century song.

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McGill interns Turn the Screw

The second performance of Opera 5’s production of Britten’s The Turn of the Screw on Thursday night was sung by the “apprentice” cast drawn from Opera McGill.  Curiously, it was an all female cast with women singing both Miles and Peter Quint.

Opera 5, The Turn of the Screw, Emily Ding Photography (Patricia Yates_ Peter Quint, Bri Jones_ Miss Jessel)

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A cunning Turn of the Screw

It’s always been a bit of a mystery to me why Britten’s chamber operas are not done more often by smaller opera companies.  They use a modest orchestra (13 players for The Turn of the Screw), have equally modest sized casts, no chorus and they are in English.  They offer the chance to perform a work as written at much lower cost than grand opera and without the compromises inherent in downscaling works written on a larger scale.

Opera 5, The Turn of the Screw, Emily Ding Photography (Asitha Tennekoon_ Peter Quint_Prologue)

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Adieu to Alex and Ariane

Alex Hetherington and Ariane Cossette’s last recital as members of the Ensemble studio happened on thursday lunchtime in the RBA.  It was charming.  We got a varied selection of art songs bookended by a couple of opera duets.  They opened with “Miro O Norma… Si, fino all’ora estreme”.  They blended well with Ariane, as Norma, displaying considerable power and richness of tone without overwhelming her Adalgisa.

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Indie Operas

angelsboneComing up later this month is Angel’s Bone; an opera with music by Du Yun and a libretto by the amazing Royce Vavrek.  It’s a chamber opera for amplified voices and small ensemble.  The plot concerns two angels who fall to earth and are ruthlessly exploited by otherwise unremarkable people.  It’s a commentary on human trafficking and the exploitation of youth.  There’s a really good looking cast and it will play at Harbourfront Centre March 22nd to 24th.  It’s already attracted largely positive reviews in New York and Vancouver.  More details including casting and ticketing here. Continue reading

An Ode to James Bowman

bowman4Iconic British countertenor James Bowman passed away last March.  On Sunday night at Trinity-St. Pauls the Early Music folks at UoT presented a tribute to the man and his career.  It was very well done.  Music associated with Bowman; mostly Purcell and Britten, was interspersed with video and personal recollections/testimonials that fully reflected the considerable influence Bowman had on the English music scene and on the more widespread acceptance of the countertenor voice in the classical music world generally. Continue reading